Showing 1–12 of 19 results
This Roman Egyptian figurine from Alexandria of a woman holding a young child is a Kourotrophos, a class of god and goddess figures holding infants or children. Referred to as child nurturers, these were revered deities, cult figures and mortals who were fertility symbols and protectors of the young.
This figure is Harpocrates the Greek god of silence, confidentiality and secrets holding a jar. The iconography hints at a royal and temple cult, as he wears a double crown symbolizing both Upper and Lower Egypt. A royal emblem showing an association with the contemporary king, in Egypt royals with crowns were a manifestation of the Egyptian god Horus. Small white specks are all that remains of the slip and colorful paints covering it. Missing part of his right side when excavated, there are no repairs and it is mounted on a stand. Given its age, the image is in good condition with normal scrapes and cracks found in pieces of this age.
This glazed pig mingqi was one of many items made for a tomb to placate the spirit of the deceased and assure the soul’s access to the things enjoyed when alive. This animal mingqi confirms the importance of pigs as a food source and of raising livestock in Han China. An alert animal whose stocky body is typical, it’s dark lead green glaze and damp tomb created a chemical reaction over centuries making it a lustrous, iridescent green impossible to copy that is highly valued in China and by collectors. In very good condition, it has expected glaze losses, minor abrasions and cracks due to its age and long tomb burial.
This terracotta head was crafted during the Majapahit Empire in Java and was either part of a bas-relief frieze or made as a freestanding figurine. Most figures found are small decapitated heads with no bodies, and it is very rare to find a complete figure with a naturalistic facial expression. As with many heads, this one displays Javanese facial features, hairstyles and ear ornamentation typical of the period. It has a naturalistic facial expression and wears large round coiled earrings, possibly suggesting it represented someone of the upper classes. It is in very good condition given its age and use and is mounted on a metal stand. This item pairs with Majapahit Miniature Terracotta 1138.
This terracotta head was crafted during the Majapahit Empire in Java and was either part of a Hindu bas-relief frieze or made as a freestanding figurine. Most figures found are small decapitated heads with no bodies, and it is very rare to find a complete figure with a naturalistic facial expression. As with many heads, this one displays Javanese facial features, hairstyles and ear ornamentation typical of the period. It has a naturalistic facial expression and wears large round coiled earrings, possibly suggesting it represented someone of the upper classes. It is in very good condition given its age and use and is mounted on a metal stand. This items pairs with Majapahit Terracotta Head 1137.
A group of 12 zodiac figures as mingqi sometimes accompanied the wealthier deceased in their tomb. This Ming dynasty earthenware figurine stands on a low circular base and wears an official’s hat and long flowing robes. It is difficult to identify the specific animal held here but it may be a rabbit, small dog or baby pig. The detailed figure is hollow and partially mould-made and unlike glazed mingqi, was covered with a white slip and painted using black and white pigments which are mostly extant.
Known as the Laughing, Happy, or Fat Buddha, Budai is regarded as a deity of contentment and plenty. Like most Early Chinese Republic porcelains this piece is hand decorated in famille rose enamels with vivid blue, red, and green pigments portrayed as a stout, smiling, bald monk in robes with a large, exposed pot belly surrounded by five children. Since the stomach is considered the seat of the soul in Chinese beliefs, it demonstrates his open heartedness. His wide smile attracts the children surrounding his body indicating his regard for them and his joy when they encircle him and well as the belief he can bequeath families with children.
This fine set of three elegant Ming dynasty attendants – one male and two female – are in a unique category of refinement and elegance that reflects the importance and high status of the tomb, deceased and the family for which they were made. Standing on hexagonal bases with arms folded below their chests and presenting offerings to the deceased, their clothing and parts of the bases have a rare cobalt blue glaze, two have yellow glazed areas and all have painted unglazed areas. Their removable heads are highly detailed and beautifully modeled fitting inside high collars. These figures are presented and sold as a remarkable set reflecting their original presentation and condition.
This polychrome vintage Chinese Republic porcelain figurine represents the most famous and colorful of the Taoist Eight Immortals, Lu Dongbin. He holds his fly whisk at his cheek, a traditional symbol of one who can fly at will. His face has a sweet benign smile with a long beard extending to his waist. He stands on a base with green and black swirling cloud forms indicating his ability to fly. He wears the robes of a Taoist sage in richly painted colors. The figure is in excellent condition and dates to the Republic of China Period circa 1920-1940.
This elegant Chinese Republic Period porcelain figure is the Taoist immortal Han Xiangzi carrying his auspicious flute dressed in a beautiful blue robe with wide black borders, fine internal decorations and a decorative yellow floral undergarment. This piece is in excellent condition and contains the stamp of the kiln where it was produced on the bottom. As the patron saint of musicians and florists, this piece would be a great gift for someone who enjoys music or arranging flowers to beautify their home.
Chinese Republic ceramic parrots are commonly depiction as this one perched on an open rocky base. Porcelain parrots were produced for the domestic and export markets and sometimes sold in pairs leading some to believe they, like pairs of fish, symbolized the love and fidelity of married couples. This one has vivid polychrome colors, large eyes and stylized wings. This piece is in excellent condition.
This colorful porcelain is Lu Dongbin, the most popular of the Eight Immortals: living Taoists who attained immortality and are symbols of immortality and long life. Dressed as a scholar, his beard is pushed to the side as he is in motion riding waves to show his magical powers. He holds a fly whisk which, along with the sword he often carries, are personal auspicious symbols. The most colorful of the immortals, he is worshipped by the sick and by scholars and temples are sometimes dedicated to him. This piece is in excellent condition and is either a Late Qing or Chinese Republic piece circa 1900-1940.
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