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Crafted during the Majapahit Empire in Java this rare head was part of a bas-relief frieze decapitated as part of religious offerings.
This masterfully carved ancestor as a mandarin official sits on horseshoe chair set on a footed high decorated plinth dressed in a well-appointed formal 3-button Mandarin long coat and pointed rattan hat. His face is uniquely and unusually individualized with heavy lidded eyes, in a benevolent expression and his advanced aged indicated by the wrinkles clearly depicting a loved individual. This exquisitely carved image in excellent condition with a fine patina was true homage to a revered family member and is one of our finest ancestor figures.
Portrayed as an official, this ancestor figure sits on a horseshoe chair showing his status wearing compulsory officials attire: a 5-button Mandarin long coat with a round collar and official headwear – a woven hat whose shape and color reflected his rank. His personalized personalized oval-shaped is tranquil with a hint of a smile on his pursed lips, and a triangular pigtail down his back.
During the Qing Dynasty, reverence for Mandarin officials and their associated high status with it was so significant that families sought to perpetuate this image through the generations in carved and painted renderings of their ancestors. Ancestor-figures were the highest form of filial piety, and ancestor-worship was a cornerstone of Confucianism. Stuart (p. 82) states…
This antique Nuo Opera mask is Tudi Gong, benevolent Earth god with smiling animated face, long eyebrows, hemp beard and high decorative hat. With an honest gentle disposition, he symbolizing the power of good to defeat evil. Nuo popular in Ming/ Qing dynasties, there are few remaining troupes.
Horseshoe chairs were considered a sign of rank used by officials and often ancestral figures were portrayed sitting in them to reflect their high status. This well-modeled green glaze ceramic mingqi of a horseshoe chair is decorated with a yellow glaze imitating caning and the decorative carved circular design on the splat. It pairs perfectly with Ming Dynasty Earthenware Horseshoe Chair 3330 and together would add to a fine collection of miniature Chinese ceramics.
Horseshoe chairs were considered a sign of rank used by officials and often ancestral figures were portrayed sitting in them to reflect their high status. This well-modeled green glaze ceramic mingqi of a horseshoe chair is decorated with a yellow glaze imitating caning and the decorative carved circular design on the splat. It pairs well with item Ming Earthenware Horseshoe Chair 3331. This would be a fine addition to a collection of antique ceramics or simply a beautiful decorative piece to brighten a small space.
Rare provincial white hooded Nanhai Guanyin in Cave below openwork draped moss and barbed rocks holding precious scrolls, with vial and parrot. Open lotuses symbolize her purity and enlightenment, closed lotuses potential for enlightenment of others.
Nanhai Guanyin in her Cave in lalitsana, below draped moss arch holding a scrolls, next to vial of humanity’s tears and parrot, her constant companion. Small Nanhai images with these symbols are very rare.
This carved ancestor figure portrayed as an official sits on a backless chair with a decorative pedestal in official’s attire: a high collared red robe, double belt above and below his ample stomach and holding a long slender curved hu-tablet, all signs of his office and status. He is vibrantly painted in red, the color of fu, as a wish for prosperity and status.
Rare and charming carved attendant pair to flank deities on circular pedestals presenting boxed offerings with ribbons as wish for longevity.
Burmese teak heddle pulley surmounted by a graceful peacock that symbolizes wholeness, combining colors and fleeting nature of all things. Based on old animistic beliefs, heddles are decorated with auspicious animals providing the weaver protection, assuring good quality weaving and pleasing the gods.
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