Showing 1–12 of 43 results
This finely cast antique figurine with finely articulated features portrays Nandi with jewels sitting recumbent on a high-tiered throne. Kneeling in reverence to serve Lord Shiva he is a symbol of purity and strength. Small figurines were placed on home shrines with other deities and significant family items. Made using lost wax it is a one-of-a-kind piece
This heavy antique brass oil lamp is devoted to Vishnu with symbols for him and his consort Lakshmi who together are the paradigm for rituals and ceremonies of a blessed Hindu marriage. Used on a home or temple altar for daily prayers (puja), it has with a yoni shaped cup to store oil, a lotus top and a mark of Vishnu that his devotees wear on their forehead to indicate their spiritual affiliation.
This small antique brass Nandi is exquisitely handcrafted with a wonderfully aged patina. He sits recumbent on a raised rectangular platform. Delicately incised with decorative details delineating the head, neck, snout and body, his right leg and tail are sinuous, graceful ornaments rather than defining features. His head is at a 45-degree with lyrically curved horns in contrast to most versions with horns extending backwards. This Nandi is based on a South Indian cow whose humpback is emphasized here by two parallel lines covering it as if is part of a saddle or another ornament feature.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece is a typical grain measure and has a handle for hanging and decorated with horizontal striations across the top and bordered by downward striated triangles with a smooth patina from age and use. These bowl were regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
Click here for the Blog Dhokra Metal Smiths: Retaining Primitive Techniques with Unfailing Success
Click here for the Blog Hindu Home and Temple Shrines and Religious Practices
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
Click here for the Blog Hindu Home and Temple Shrines and Religious Practices
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This Hindu prayer bell was likely placed on a home or temple altar and used in daily puja rituals. It has a smooth and undecorated body with only incised parallel rings circling plain surfaces and is topped by a Garuda pair sheltered by Naga hoods. Garuda, Vishnu’s mythical winged bird mount, and Naga, a seven-headed hooded serpent, are natural enemies but when they are represented together, they symbolizes peace, a very appropriate adornment for the tranquility and serenity elicited by the pleasing sounds of a prayer bell.
Martin Lerner and Steven Kossak, The Lotus Transcendent: Indian and Southeast Asian Art from the Samuel Eilenberg Collection, New York, Harry Abrams, 1991.
This graceful brass oil lamp is topped by two peacocks, a large one that held oil and a smaller one decorated with striated lines sitting high on a thin mount with a spiral base. It was used for Hindu prayer rituals (puja) in the home or at temples and for devotional worship. This fine lost wax lamp with a soft patina is a one-of-a-kind piece. Often used in Hindu religious sculptures, peacocks have a strong religious tradition and represent harmony, joy and beauty and the time cycle.
This finely designed bronze kumkum container was used in Hindu worship (puja). It is a well-shaped ornamented cup divided artistically into three sections: a top flat lip surrounded by decorative bosses and parallel lines, and band of stylized leaves, and set on a tubular trunk on a decorative base. Also known as chopra containers, they were made from a variety of materials, although bronze was rather rare and used by wealthy Hindu women and royalty to store tikka kumkuma powder, as the poor could only afford those made from wood or pottery.
This brass oil lamp diya is decorated with an image on front and back of Lakshmi seated on a lotus, full-breasted and broad hipped, beneficently smiling and being lustrated (showered by water) by a pair of elephants, symbolizing rain clouds bringing water and life to the land and that unwavering effort to adhere to spiritual teachings and governed by wisdom and purity leads to both material and spiritual prosperity.
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