Antique Large Lacquer Buddha Head, Burma (Myanmar) On Museum Stand (3370)
Original price was: $7,900.00.$6,500.00Current price is: $6,500.00.
H: 20″ W: 17.5″ | D: 17.25″ On Stand H:28″ | CALL 213-568-3030 OR EMAIL [email protected] FOR SHIPPING.
Large rare Mandalay Style antique Buddha head, red lacquer and gold leaf.Gentle, serene and compassionate expression, with downcast eye and sweetly smiling lips. Museum stand.
Description
This very large stunning Buddha head originally was part of an over-size lacquer statue enshrined in a Burmese temple or monastery indicating both his princely past and spiritual enlightenment. Likely created in Mandalay, it is in the Mandalay style and was made during the Mandalay period (1853 until British annexation in 1885) during the Konbuang period (1752-1885) when Mandalay was Burma’s final royal capital. As a vibrant, artistic and cultural center, it was revered internationally, among other things, for its production of exquisite and graceful Buddha statues. Combining intricate detailing with traditional red lacquer and gilding methods in lacquerware and woodcarving, Burmese creations blended spiritual symbolism and elegant presentation with a warm and approachable style that was lauded by almost all visiting foreigners at the time.
The warm tones and the soft and gentle features of the head exemplify the aesthetic sensibilities of Burmese religious art from this era. Richly adorned with red lacquer and gold leaf, the sculpture captures the spiritual ideals of Theravada Buddhism through its tranquil expression and gentle features. A serene and compassionate expression with downcast eyes and sweetly smiling lips emphasize the Buddha’s qualities of peace, wisdom, compassion and serenity. The curled hair and prominent ushnisha (cranial protuberance) are traditional marks of the Buddha as are the elongated lobes that indicate his enlightened status and wisdom. This head is remarkable for its subtle modeling of his features and the beauty and serenity of his expression which is infinitely more difficult to capture working in lacquer than with wood. Burmese artistic conventions are used to show the Buddha as a meditative and spiritual being, one who possesses internal reserves of spiritual power that is internalized, under control, unseen but immediately able to be brilliantly demonstrated. The blending of spiritual symbolism, masterful techniques and warm approachable style make this a rare and veritable masterpiece
It is in excellent condition mounted on a museum-style metal display stand.
Additional information
Place of Origin | Burma/Myanmar |
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Period | Antique, Mandalay Period (1883-1885) |