Antique Mandarin Official in Belt Holding Gesture (19075)

Description

Based on his rigid posture, modest throne and officials attire this ancestor was a civil official in his most prestigious form. Seated figures in the “belt-holding” gesture with one or both hands were especially revered as persons of great achievement, high rank, imperial authority, and esteemed status. This gesture had practical and symbolic significance. Officials held their belts because these heavy, ornamental accessories were often oversized and loosely fitted; holding them assured they were centered and properly displayed. Clutching the belt with one hand with the other firmly place on the thigh was the “power pose” of a high-ranking Mandarin Official that affirmed adherence to court protocol and immortalized his success. Holding the belt reflected the “weight” of the ancestor’s office and heavy obligations he fulfilled during his life.

A large, rounded belly was highly respected in Chinese carved and painted portraits: A prominent belly literally presented the ancestor as well-fed and prosperous enough to enjoy a life of leisure. It symbolized life’s fullness and the ancestor’s ability to provide for a large, flourishing family lineage.

His stylized scholar-official’s cap, a variant of the Wūshāmào (black gauze hat with compact wings identified him being in the civil service class. This statue was clearly a high-quality commission by the descendants seen in the remaining traces of gold leaf that was believed to transform the family member into a deified, protected spirit. His status was reinforced by auspicious colors  – red that symbolized good fortune, vital energy, and assured the ancestor spirit remained alive and benevolent and black to denote solemnity, wisdom, and integrity. The statue’s colors naturally age over several centuries. The red cinnabar turned a deep, brownish-burgundy and the gold leaf dulled by sinking into the lacquer or wore away which transformed the bright uniform metal shine into a faint, shimmering residue.

The open back cavity has its original consecration slip. It is in very good/excellent condition given its natural aging, old insect damage to. parts of the base and expected crack in the back. A statue in this condition is rare given most were destroyed during China’s modernization