阿弥陀佛 Amitabha Buddha, (Sanskrit: Infinite Light), also Amitayus, Amida in Japan and Emituo Fo in China, is the fourth Dhyani (cosmic) Buddha of Pure Land School of Buddhism, China’s largest Mahayana school. When he gained enlightenment, he vowed to create a place with no suffering. Called the Western Paradise, it can be reached after death by all who call “Na Mo a Mi Tuo Fo” (“Devotion to Amita Buddha”) or chant his name sincerely in any language. They will be led there where they will be reborn, abide in a blissful state and learn Dharma taught by Amitabha. He bestows longevity and is often depicted in meditation holding a begging bowl. In the Ming he was a standing figure with a long right arm palms outward in varada mudra, the gesture of charity and his left at his chest holding a lotus blossom or incense pot. Images of the Amitabha Buddha often center Guanyin’s headdress acknowledging her spiritual connection to him.
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Consecrated red lacquer and gilt home altar provincial Guanyin, elaborate 5-lobed crown centered with radiating bars symbolizing Amitabha Buddha and his aureole that represent the flames of Buddhism.
Delicately detailed and consecrated Guanyin in meditation on a backless throne, flowing braids, simple necklace, 3-part crown centered with Amitabha Buddha on lotus throne surrounded by a radiating aureole. Compassionate downcast eyes, serene contemplative expression, calm smile to enhance any surrounding.
Vibrant provincial Guanyin, high crown centered with Amitabha Buddha with swirling florals blends many religious traditions. Indentation for urna (third eye) on forehead held cut glass.
In this Pure Land large provincial carving Guanyin is more human and humble than idealized. The center lobe of this splendid oversized crown with gold has a deeply carved rustic Amitabha Buddha on a lotus surrounded by a pointed aureole. She is less formal with bright colored peasant garments, a relaxed laitsana pose with both legs relaxed and bent, bare feet dangling above the pedestal and her less formal teaching hand position. Quite unusual, it is a charming, innocent portrayal of a spiritual subject.
Carved from one piece of wood, triad depicts Nanhai Guanyin and 2 acolytes (one deteriorated) , crown centered with Amitabha Buddha in meditation bordered by flames of Buddhism.
Rare statue of Guanyin held up by 4 creatures in hell remind us that people, like demons, can change and reach enlightenment. Demons are just obstacles – greed, aversion, and ignorance – to overcome through good deeds and thoughts,
Wonderfully carved Nanhai Guanyin with ornate and beautiful diadem centered by elaborately framed Buddha Amitabha in meditation. Vibrant aura radiates spirituality, opulence, serenity and strength, as well as compassion and grace, making this a truly masterful piece of art.
This Guanyin image was probably one of a pair of images along with the Taoist Queen Mother of the West (16206A-WACK) placed together on a community, local temple or home altar. Created by the same local artisan, they are provincial rather than imperial style having a humble, unadorned and simple rendering, seated on backless thrones, hands covered by a ritual cloth, uncharacteristic of Guanyin but common for Taoist goddesses. Both wear layered robes and a high pointed crown – the Queen Mother’s centered by a phoenix and Guanyin’s by a flower surrounded by symbolic aureole of radiating light. Both have soft blissful smiles with eyes cast slightly downwards to engage their devotees. Initially covered in bright polychrome colors, there are traces of surviving red, yellow, green, brown and black.
Vintage Thai cast bronze White Clad Guanyin in meditation on multi-tiered throne holding vial of precious dew with image of Buddha Amitabha under hood. Vision of compassionate serenity, half closed eyes and benevolent smile.
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