Amitabha Buddha

阿弥陀佛 Amitabha Buddha, (Sanskrit: Infinite Light), also Amitayus, Amida in Japan and Emituo Fo in China, is the fourth Dhyani (cosmic) Buddha of Pure Land School of Buddhism, China’s largest Mahayana school. When he gained enlightenment, he vowed to create a place with no suffering. Called the Western Paradise, it can be reached after death by all who call “Na Mo a Mi Tuo Fo” (“Devotion to Amita Buddha”) or chant his name sincerely in any language. They will be led there where they will be reborn, abide in a blissful state and learn Dharma taught by Amitabha. He bestows longevity and is often depicted in meditation holding a begging bowl. In the Ming he was a standing figure with a long right arm palms outward in varada mudra, the gesture of charity and his left at his chest holding a lotus blossom or incense pot. Images of the Amitabha Buddha often center Guanyin’s headdress acknowledging her spiritual connection to him.

Showing 13–14 of 14 results

  • Sale!

    Rare Antique Guanyin with Crown with Five Dhyani Buddhas, China SPECIAL PRICE

    Original price was: $695.00.Current price is: $590.75.
    Ht: 9.5″  W: 4.5″  D: 3.75″ FREE SHIPPING in Continental U.S.!

    This delicately carved home altar Guanyin is gender neutral in meditation on a lotus throne.  Her humble demeanor, modest robes and absence of stylized decorative details exemplify the best of provincial Ming and Qing carvings. She is a tranquil figure with simple, soft, and beautifully rendered facial wearing a five-lobed crown symbolically representing the five Dyhani Buddhas and reflecting Vajrayana Tantric influence.

  • Sale!

    SOLD Antique Carved Guanyin on Lotus Pedestal, China (16206B-WACK)

    Original price was: $1,375.00.Current price is: $1,168.75.
    SOLD  H: 23.25″  W: 9.25″  D: 6.25″

    This Guanyin image was probably one of a pair of images along with the Taoist Queen Mother of the West (16206A-WACK) placed together on a community, local temple or home altar.  Created by the same local artisan, they are provincial rather than imperial style having a humble, unadorned and simple rendering, seated on backless thrones, hands covered by a ritual cloth, uncharacteristic of Guanyin but common for Taoist goddesses. Both wear layered robes and a high pointed crown – the Queen Mother’s centered by a phoenix and Guanyin’s by a flower surrounded by symbolic aureole of radiating light. Both have soft blissful smiles with eyes cast slightly downwards to engage their devotees. Initially covered in bright polychrome colors, there are traces of surviving red, yellow, green, brown and black.

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