Ancestral means “pertaining to ancestors; descending or claimed from ancestors”. In cultural terms it refers to objects and traditions relating to honoring and worshiping ancestors and their spirits through ceremonies or rituals, revering ancestor images, presenting offerings to please the deceased and attract their favor and protection and placing items in their burial site to please the departed and provide comfort in their afterlife. In China ancestor carvings or ancestral tablets – also known as spirit or memorial tablets – representing the spirit of the deceased or the seat of a deity were placed on home shrines or altars along with Buddhist, Taoist or Popular Religion images.
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Hu vessels, first made in the Shang Dynasty is an ancient-pottery wine vessel whose body swells in the middle, flares into a narrow neck and often has a raised circular foot. Very popular during the Han dynasty, it was used as an ancestral tomb burial object (mingqi) to hold liquids and elixirs for the deceased…
Mingqi are ancient earthenware pottery items usually made using a bivalve mould and covered with a lead glaze that fired to a dark green. The lead in the glaze often combined with tomb dampness for centuries creating a chemical reaction changing its coloring into a lustrous and iridescent green seen here. Han mingqi were ancestral…
This ancient figurine is Harpocrates the Greek god of silence and secrets holding a jar made for a home shrine. He probably represents a royal and temple cult, as he wears a double crown symbolizing both Upper and Lower Egypt and his royal emblem signifies his association with the reigning Egyptian king, who was considered a manifestation of the Egyptian god Horus. Missing part of his right side when excavated, and no with no repairs this is a true slice of history. It pairs well with #1845 Ancient Pottery Figurine of Child Nurturer Goddess.
This Roman Egyptian figurine from Alexandria of a woman holding a young child is a Kourotrophos, a class goddess figures holding infants or children. Referred to as “child nurturers”, these were revered deities, cult figures and mortals who were also fertility symbols and protectors of the young. Made from a bivalve mold, this terracotta figurine was probably placed on a home altar for protection. Mother and child figures like this are universal and appear in cultures throughout the world. It pairs well with #1844 Ancient Harpocrates Figurine.
Dressed in a red robe with a high neck collar, extremely wide sleeves extending below the knees and a belt around his waist, this ancestor figure portrayed as a civilian official standing on a rectangular base with hands together wearing a long civil official’s robe that extends to his shoes but has no rank badge indicated.
This intricately carved black and heavily gilt antique cabinet is a fine example of a Straits Chinese furniture made in Guangdong for the Southeast Asia market. Carved openwork panels with phoenixes and lotuses are symbolic wishes for harmony, blessings, rank, good fortune; outstretched wings wish for harmonious marriage, many sons and the inside decoration a wish for status and successful career. Although flamboyant for todays taste, it is a unique accent piece and gift for newly weds.
In China a set of earthenware Zodiac attendant figures was made as a 12 piece grouping, with each figure holding a small calendar animal with each year represented by a different animal – rat, ox, tiger, rabbit, dragon, snake, horse, goat, monkey, rooster, dog, and pig or boar – in a repeating 12-year cycle. Although…
Often ancestral figures were portrayed sitting in horseshoe chairs to reflect their high status. As many earthenware mingqi, this well-modeled chair has a liberally applied green glaze resulting in expected drips around the stretchers. The seat is decorated with a yellow glaze imitating caning and the decorative carved design on the splat also has a green glaze and a carved decorative “clocklike” circular design. The bottom of the seat and legs are not usually glazed. In very good condition with expected minor chips and minor glaze deterioration consistent with its age and long burial, it pairs perfectly with item 3330 and together would add to a fine collection of Chinese ceramics or brighten up a small space.
This charming miniature Ming dynasty ceramic horseshoe pottery chair is an accurate model of an impressive beautifully grained hardwood Ming chair with a continuous horseshoe shaped top rail and a caned seat. The curved splat of a wood chair might have either carved or pierced motifs or medallions and straight or curved stretchers joining the legs in pairs at the same height on each side. Often ancestral carved figures were portrayed sitting in horseshoe chairs and reflect the high status of the figure they were portraying. This ceramic mingqi (burial item) has a thick green glaze throughout which was liberally applied normal usual drips around the stretchers. The seat is decorated with a yellow glaze in imitation of caning as is the decorative carved design on the splat, but the bottoms of the seat and legs are unglazed. The rail ends splay to the right and left for hand comfort and decorative effect are traditionally found in Ming Dynasty hardwood chairs. In very good condition with minor chips and paint losses, it was buried underground in a tomb for centuries. This would be a fine addition to a collection of antique ceramics or simply a beautiful decorative piece to brighten a small space.
Ancestor-figures portrayed as Chinese-officials were placed on a home altar with other house gods and religious images to bring fu to the household. During the Qing dynasty, designation as an Official was so significant families sought to emphasize this achievement in family ancestral figures. As traditional, this carve official has a serious expression, sits on…
This excellently carved civilian official with gilt highlights was commissioned by a family to place on a home altar for veneration and to impress those who viewed it. The imposing ancestor figure grasps his belt of office to show his pride in passing examinations to become a civil official, which leads to a life of rank and prosperity for him and his family. Statues like this are an affirmation of persistence, success, status and power and they honor those who display these characteristics.
This fine set of three elegant Ming dynasty attendants—one male and two female—are in a unique category of refinement and elegance that reflects the importance and high status of the tomb, the deceased and the family for which they were made. Standing on hexagonal bases with arms folded below their chests and presenting offerings to the deceased, their clothing and parts of the bases have a rare cobalt blue glaze. (Two have yellow glazed areas and all have painted unglazed areas.) Their removable heads are highly detailed and beautifully modeled fitting inside high collars. These figures are presented and sold as a remarkable set reflecting their original presentation and condition.
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