(金刚合掌 / 合十印) Anjali mudra, also namaskara mudra and wai in Thailand is one of the most important mudras in Buddhism and denotes welcome, adoration, and devotion to a deity and also a monk or elder. It is more frequently used in Theravada then Mahayana Buddhism. It is done by pressing the palms of the hands together, fingers placed together and extended upwards with the thumbs resting against the chest and the hands at the heart chakra. Called a wai in Thailand it is a normal greeting and a gesture of respect.
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Attendant Chou Ts’ang, to Guandi, most revered Chinese military hero and Taoist God of War, hands clasped and eyes down in respect wearing detailed military clothing and boots on high pedestal with painted gold florals.
This provincial Guanyin made for a home altar sits in anjali mudra. Portrayed as humble, approachable, she wears a 5-lobed diadem, hair in a chignon with braids and modest robe seated on a waisted lotus throne with stacked lotuses.
This provincial Nanhai Guanyin sits with her palms at her heart in anjali mudra, a mudra of offering rarely used for Nanhai Guanyin. She sits on a two tiered lotus throne on a lotus at the entrance to her Tidal Cave on Putuo under a craggy rock outcrop framed by pierced openwork. Placed on a home altar, her modest presentation reflect local beliefs to resonate with provincial populations.
Although they are Buddhist images, Lohans are portrayed as a real person with very individual, distinctive, and un-idealized features. His benevolent youthful sweetly smiling face with downcast eyes is an image of compassion, wisdom and peace.This exceptional, beautifully crafted rare 17-18th century Ming/Qing large Lohan is from the same Buddhist location as the foreign-born heavy bearded Lohan Bodhidharma, and the same artist may have carved both. We recommend keeping them as a pair to display together.
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