Buddhists have used images of enlightened beings including Buddhas, Guanyin, Bodhisattvas, Lohans, and monks for nearly two millennia to show devotees how Truth can be found within oneself through meditation and spiritual training. Statues of the Buddha and other enlightened beings are placed in temples, monasteries or home shrines as a reminder of the spiritual potential inherent within all of us to awaken to the Truth as the Buddha, a fellow human being, did. When one pays reverence to Buddhist images, they are not worshipping the image, rather the image reminds them of the great compassion of the Enlightened Ones who have taught them the way to liberation.
Showing 25–36 of 46 results
White clad Guanyin in royal ease and karana mudra to expel evil, remove problems and rid sickness or other negativities rarely used for Guanyin. Consecrated for home altar use.
18 original Lohans were the major disciples of Shakyamuni Buddha whom he, at his death bed, entrusted to protect and promulgate Buddhist teachings. Over centuries, their numbers increased to over 500 enlightened beings recognized for their courage and supernatural powers. In Mahayana Buddhism, Lohans represent the ideal toward which Buddhist devotees should strive as they…
Magnificent example of fine provincial Buddhist statues. Made to be seen in the round, her garment has delicate incised leaves and leaf motifs on front, back, and sleeves. High pointed crown with the Five Tantric Dhyani Buddhas, rare in provincial Guanyins.
Consecrated red lacquer and gilt home altar provincial Guanyin, elaborate 5-lobed crown centered with radiating bars symbolizing Amitabha Buddha and his aureole that represent the flames of Buddhism.
This provincial Guanyin made for a home altar sits in anjali mudra. Portrayed as humble, approachable, she wears a 5-lobed diadem, hair in a chignon with braids and modest robe seated on a waisted lotus throne with stacked lotuses.
Very rare and fine 16th century home shrine image with compassionate countenance of Songzi Guanyin the “Bestower of Children.” With joyful half-closed eyes, she looks lovingly at the child whose arm is draped over hers.and leans slightly forward.Wearing a 5- lobed crown centered with a camellia flower a Chinese symbol of young sons and daughters. Inscription dates it to 1521-1567
Magnificent rare Ming Buddha covered with dark lacquer, indications of gold and red pigmentation. Seated in meditation on an elaborate lotus throne, this rare masterpiece would enhance any environment with its spiritual energy and beauty.
Ming provincial infant Buddha holding monk’s begging bowl, pointing to heavens standing on a lion’s head symbolizing the Shakya clan and the lion’s roar of Buddhism. Buddha images seldom placed in homes and blended iconography as an infant, is extremely rare.
Rare provincial image of Guanyin tenderly holding a young child’s hand similar to Songzi “Child-Giving Guanyin”. Consecrated with vibrant gilt and red surface in front and back.
Rare provincial consecrated carving of Nanhai Guanyin on a lotus, representing purity of the mind, above a fish symbolizing her power to help beings sail through sea of suffering separating mortal world from the Western Paradise.
Carved from one piece of wood, triad depicts Nanhai Guanyin and 2 acolytes (one deteriorated) , crown centered with Amitabha Buddha in meditation bordered by flames of Buddhism.
Rare provincial carving of Guanyin on an ox reflecting the concept of bodhisattva reverence for “draft animals” (beasts of burden) who were integral to rural daily and agricultural activities in Chinese Popular Religion, Buddhism and Taoism.
End of content
End of content