Buddhists have used images of enlightened beings including Buddhas, Guanyin, Bodhisattvas, Lohans, and monks for nearly two millennia to show devotees how Truth can be found within oneself through meditation and spiritual training. Statues of the Buddha and other enlightened beings are placed in temples, monasteries or home shrines as a reminder of the spiritual potential inherent within all of us to awaken to the Truth as the Buddha, a fellow human being, did. When one pays reverence to Buddhist images, they are not worshipping the image, rather the image reminds them of the great compassion of the Enlightened Ones who have taught them the way to liberation.
Showing 25–36 of 39 results
This striking, beautiful and sensitive carving is White Hooded (also White Clad or White Robed) one of the most frequent portrayed of her 33 manifestations. Introduced in 10th century Song Dynasty this manifestation portrays her as a humble and modest deity reflecting the features of an ordinary Chinese female, her face cast down in serenity…
Guanyin, the Bodhisattva of Compassion, is one of the most beloved Mahayana Buddhist deities, the embodiment of loving-kindness who hears the cries of all beings, and who is one of the Great Chinese Goddesses – who are compassionate protectors who grant health, long life and safety to all devotees regardless of their social position. During…
This enchanting carving depicts Nanhai Guanyin in her Cave on Mount Putuo seated in lalitsana, below a symbolic arch of draped moss with bright pigmentation and considerable gilt. Nanhai Guanyin was massively popular during the Ming/Qing dynasties and provincial wood images were made home altars throughout China. She holds scrolls representing the dharma and sutras, behind her is a vial with the tears of her humanity and parrot, her constant companion. Small Nanhai images with all these symbols in this condition are very rare.
This finely and delicately modeled vintage Burmese bronze Buddha Shakyamuni in the Earth Witnessing mudra displays many characteristics typical of the Burmese Mandalay style. His soft youthfully sweet face with slightly smiling lips is framed by a filet headband, snail like hair locks, and almond-shaped eyes are inlaid with glass. Made in the 20th century with the lost wax process in which the mold is destroyed, this piece is a one-of-a-kind exquisite work of art in excellent condition.
This lovely 20th century Thai bronze statue is the White Clad Guanyin seated in meditation with her hands in her lap holding her vial of precious dew with her legs covered by her robes which flow to the top of the finely rendered multi-tiered lotus throne. Her open hood is centered by a mandorla surrounding an image of Buddha Amitabha, the Buddha of Infinite Light, her spiritual teacher. She is a vision of compassionate serenity with her half closed eyes and benevolent smile.
This fine gilt and lacquer Nanhai Guanyin of the South Seas creates an aura of serenity, peace and radiance. She sits in meditation (dhyana mudra) hands in her lap, legs in lotus position (padmasana) under her flowing 3-part robe. Her high bun is behind a 5-lobed crown with the 5 Dhyani Buddhas of Wisdom, three…
The most distinguishing feature of this finely carved Nanhai Guanyin is her elaborate scalloped crown centered by the Amitabha Buddha of Infinite light. In Pure Land Buddhism crowns are believed to bestow a divine and solemn quality to Guanyin images. This serene yet elegant carving is perfect to enhance any personal meditative space.
This magnificent and rare Ming Dynasty Buddha is covered with dark lacquer and indications of the vibrant gold and red pigmentation that once enhanced this image. His beautiful face radiates serenity with its benign expression as he sits in meditation on an elaborate lotus throne. Made to be viewed on all sides his three part monk’s robe extends with flowing sleeves over his feet and down his back. In excellent condition with minor paint losses, this rare masterpiece would enhance any environment with its spiritual energy and beauty.
Nanhai Guanyin of the South Sea was one of the most popular Mahayana Pure Land manifestations of this Bodhisattva in the late Ming and Early Qing Dynasties. Nanhai Guanyin and other Buddhist statues at this time where syncretic, blended in form and tradition and appearing everywhere in Buddhist, Taoist and Popular Religion Guanyin Temples, village,…
This extraordinary rare and delicately rendered rural carving is a female bodhisattva possibly Guanyin seated on a lotus throne atop an ox. Beautifully highlighted in vibrant gold and adorned with intricate designs on the lotus petals and ox’s saddle coverings, this statue shows how the concept of a bodhisattva was adapted to the deification of “draft animals” (beasts of burden) who were integral to rural daily and agricultural activities in Chinese Popular Religion, Buddhism and Taoism beliefs.
This rare wood carving of the Buddha as an infant is remarkable because of the way it has survived. As with many antique Chinese wood carvings, there is extensive deterioration from age/insect damage. Although there is total loss to the arms, legs and torso, it is virtually untouched from the neck up. This is a piece for lovers of wood, with the body worn to a delicately smooth but irregular surface. It is probably more striking than original piece, as its erosion shows the random miracle of chance and is highlighted on a frosted acrylic base.
This remarkable figurine is Guanyin on her mythical mount, the Hǒu, guardian master of the universe and model for righteousness and morality who symbolizes bringing forth peace and prosperity.The round orb in its mouth representing a pearl can be rubbed for good luck. It is one of our most unique and favorite Buddhist statues, mounted on a frosted Acrylic stand.
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