The majority of VA products come from China, mostly South China, and includes all categories of objects: Spiritual and Inspiration Art, Folk and Ethnic, Accessories and Furnishings, Jewelry, Ancient Art and Wall Art. spanning from the Han to the Chinese Republic.
Showing 13–24 of 37 results
Antique-Chinese-wood-carving images of the Shakyamuni, the historical Buddha, especially, those portrayed as an infant right after his miraculous birth, are rare, as they were not generally used on a home altar, although this one this one probably was since the cavity in the back indicates it was consecrated. Carved from one dense piece of wood,…
This superb, colorful and rare carved Buddha is seated in vitarka-mudra, the taching hand position. His delicately carved calm face has a benevolent and compassionate expression with a slight reassuring smile. The elegant body appears to float above deeply carved swirls reminiscent of clouds. Fine facial features, the graceful body and exquisitely carved and painted drapery make this a truly impressive and striking image. Given its size and masterful carving , it should hold a place and be revered commensurate with its spirituality and artistry.
During the Ming and Qing dynasties small pairs of fu lions were very popular for use in private homes and outside as protective figures or in gardens. In the Buddhist tradition, they were portrayed as more friendly than fierce with their open mouths displaying sharp teeth but in a fanciful pose. They are a reminder that…
Puppet theatre has traditionally assumed a major role in Chinese religious rituals and honoring major life and historical events. Local productions with beautifully carved puppets, music, drama and costumes instilled societal and cultural values as well as providing entertainment to audiences of all ages and educating provincial ones. This head has a typical tapering shaft…
This 5-piece apple green glazed stoneware home altar set includes a central large censor flanked by rising pairs of candlestick holders and vases. These folk art ceramics were made at the Shiwan kilns in a small town near Foshan City in Guangdong Province where renowned, popular and well modeled pieces with vivid expression and colorful…
Lohans are the only enlightened Buddhist beings that were allowed to be portrayed realistically rather than as idealized representations. This beautifully crafted antique and very rare large image looks like a portrait of a real person with very individual, distinctive, and un-idealized features. His eyebrows curve above a wide triangular nose with well pronounced cheekbones,…
This fine and rare kneeling image is Shen Nong (Shennong (神農), “Divine Farmer” or “Divine Husbandman”), one of most revered cultural heroes in Chinese mythology. Born in the 28th century BCE, he is the Founder of Natural Medicine, the 2nd of the Three Emperors of the Celestial Ministry of Health. A syncretic deity in both…
Fruit plates have been used as offerings in all Chinese religions to communicate with and venerate ancestors and deities in temples or home altars, bring reciprocal blessings to the bearers, strengthen family ties and demonstrate filial piety. Offerings of fruit, vegetables, sweets, tea and flowers and lighting candles and incense were ceremonially presented on home…
Guanyin means “she who observes the sounds or cries of the world” and in Sanskrit she is named Padmapani or “born of the lotus.” She is one of the Three Great Chinese Goddesses (Irwin). During the Late Ming and Qing Dynasties in rural provincial regions and especially Southern China, Guanyin became a syncretic cult figure…
During the Ming and Qing Dynasties, the cult of Songzi (“Child Giving”) Guanyin, the Buddhist bodhisattva of compassion, became one of the most popular religious movements especially among Popular Religion and Taoist female and male devotees. It reached all Chinese regions and social strata and included the upper classes, court figures and the literati as…
Offerings of sweets, fruits, florals, tea and currency are traditionally placed on a home altar in Chinese homes and temples, often in front of ancestor figures or tablets as a form of ancestor worship in homage to their spirits. They were also placed before Buddhist and Taoist images in reverence and gratitude to the deities….
Shiwan stoneware wall-pockets “vases” were used as functional items to hold things like flowers and chopsticks and were in most Chinese homes by the late Qing Dynasty. In addition to their usefulness, they reflecting the Chinese belief that having objects with auspicious images fills your home with favorable and optimistic energy (chi). This is very…
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