The Chinese word fu (福) is translated as happiness, blessings and good fortune and the wish for fu is represented by well recognized symbols is ubiquitous in all aspects of Chinese life displayed in architecture, furniture, functional and utilitarian objects, porcelains and pottery, textiles, clothing, jewelry and other decorative accessories. Red is the color of fu which is also complemented and enhanced by gilt. The character fu is auspicious, as are their homophones and rebuses. A bat (fu 蝠) is a homophone for “good fortune” or “happiness” as its tone is very similar to the tone to for fu (福) As they are homophones, the bat is a symbol and also a visual pun (rebus) for good luck, often found in colored red. When the character for fu (福) or the representation of a bat are upside-down, it signifies that ‘good fortune has arrived’ since the word for ‘arrive in Chinese sounds like the word fo ‘upside-down., another Chinese homophone. Five bats represent the Five Blessings or Happinesses .
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Fine ladies vanity cabinet covered with red lacquer and gold highlights. Parents’ gift to newlyweds with auspicious symbols for happiness, long life and having sons reflecting Confucian belief that producing sons to carry on the family name is essential to happiness.
Charming antique low profile lacquered finished chest adds warmth to any setting. Drawers with carved auspicious symbols for the Five Happinesses include peonies, vines, butterflies, plum blossom and a Japanese lily. Inset panel with florals and decorative apron and brass butterfly handles.
Carved ancestor figure as an official sits on a backless chair with a decorative pedestal in official’s attire holding a long slender curved hu-tablet, all signs of his office and status. He is vibrantly painted in red, the color of fu, as a wish for prosperity and status.
Pair of oil lamps for good fortune with diamond shaped double lozenge meaning many treasures, and plum blossoms, symboling the Five Happinesses – wealth, health, longevity, peaceful death and love of virtue.
Rare single image of Kitchen God and wife, indicating their close/lasting relationship as family’s protectors. Detailed elaborate officials’ robes, headgear. Individually portrayed holding hu tablets like those held by high court officials or Taoist priests.
Finely carved ancestor displaying status symbols: official’s attire and hat, horseshoe chair with feet on pedestal. Painted and lacquered front and back in red, traces of gilt, colors of “fu” as a wish for wealth, health and long life, aged from years of use into a great patina.
Shiwan stoneware peaches and lotuses on footed bowl auspicious symbols associated with springtime, fertility, long healthy life for many generations and therefore are propitious gifts for birthdays, especially for the elderly.
This stone flu lion is not an elegant protective beast, it’s just a friendly pet hanging out. He probably lived in a garden and is looking for another one with people like old wonderful pieces to remind them not to take themselves too seriously.
Colorful Taoist priest carving holding a cup with the Elixir of Life granting eternal life. Red is the color of fu to bring into the home divine favors. Whimsically painted face and raised lacquer decorations, it was consecrated and originally placed on a home altar.
This intricately hand carved gold and silver platter with indentations on both sides was used to make confections called sweetmeats eaten at festivals, holidays, and other key celebrations. The round molds symbolize the moon and cohesion of the family. The 5-petal plum blossoms attached to vines symbolize purity and endurance, as well as the coming of spring, renewal, and longevity. The multiple seeds are a wish for fertility and sons, and thus this mold may have been a holiday and/or marriage gift to a young couple.
This Kitchen God and his Wife is posed as streamlined virtual mirror-images and fashioned with a general quality relying on paint rather than deep carving for details. They sit on backless chairs on a plinth, with simplified gold officials’ robes with long color sashes, and well-carved black and gilt head gear. The wife’s face is smooth, generalized and the male face has a more deeply carved surface and painted highlights.
This finely detailed hardwood mold was used to make sweetmeats confections, perhaps mooncakes for the Chinese Autumn Moon Festival. It is covered with deeply carved propitious symbols for marital harmony, sons and successful endeavors: a four clawed dragon for fertility, two ducks symbolizing marital bliss and harmony, one atop a carp for conjugal bliss and achieving noble rank and a boat with a sail for making all this easy sailing. This would be a great accessory or gift (especially for weddings) to spice up any kitchen.
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