Hu tablets, commonly referred to as audience tablets, (baohu) precious tablet were narrow carved and sometimes curved wood strips held by high Chinese court officials that became a sign of their official status. During the Han dynasty, they were required for formal dress worn as girdle pendants, and during the Tang they were ivory tablets used as a scepter and writing surface for memoranda in formal presentations to higher court officials to take notes of the emperor’s instructions held at chest level as they bowed to him. They continued to be a sign of high rank until the end of the Ming dynasty, but the tradition of symbolically portraying officials with hu tablets persisted through the Qing dynasty. In Taoism they were based on the ones at court but were religious objects held by priests used for ritual audiences with Taoist deities during ceremonies and rituals. On home altars Taoism priest images held them with both hands in front of them often with a cloth over the hands symbolizing they were in the presence of a Taoist deity.
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This extremely rare late Ming/early Qing dynasty antique-Chinese-wood-carving carving is divided in two parts and is significant for its juxtaposition of images as well as its unique iconography. The top is one of the Taoist officials in typical officials-attire: an official’s hat, a tiered robe with a red sash extending to the tops of the…
While most families have had prints or paper-cuts of the Kitchen God (Zao Shen) with or without his wife above their stove, carved images were owned by wealthier families. The Kitchen God is syncretic as a Taoist, Popular Religion and Buddhist tutelary deity, protector of the home who was responsible for making sure there was…
Taoist images were represented as scholars, sages, heroes, officials and priests. Taken out of context, it is almost impossible to specifically identify individual images but given certain features and symbols: air of solemnity and importance, static pose, officials attire with round collar, and elaborate hat, this is is probably a Taoist official. Seated on a…
Taoists were represented in art as scholars, sages, heroes, officials and priests When these images are taken out of context they are very difficult to identify so we use the term Taoist to signify an Official, Priest or sage. Taoist priests are called a daoshi (道士 “master of the Tao”) a moniker for Taoist priests,…
After her death at age 28, Mazu was immortalized as a cult figure and worshipped as a one of the tutelary Taoist deities as “the Protector at Sea” among seafarers in coastal China and was worshipped especially by older women. In oral legends, she was the daughter of a Buddhist fisherman, revered for her filial…
While most families have had prints or paper-cuts of the Kitchen God (Zao Shen) with or without his wife above their stove, carved images were owned by wealthier families. The Kitchen God is syncretic as a Taoist, Popular Religion and Buddhist tutelary deity, protector of the home who was responsible for making sure there was…
While most families have had prints or paper-cuts of the Kitchen-God (Zao Shen) with or without his wife above their stove, carved images were owned by wealthier families. The Kitchen-God is syncretic as a Taoist, Popular Religion and Buddhist tutelary deity, beloved among house-gods as protector of the home. He observes the family’s behavior and…
Finely detailed and carved from dense wood, this Kitchen God and his Wife monitor the members of the home from their perch above the stove. On Chinese New Year Zao Shen reports to the Jade Emperor in Heaven and a positive report bringsblessings and good fortune, while and unfavorable one brings misfortune. Family members often smear honey on his mouth to sweeten the report. Near mirror images they wear layered gold officials’ robes with decorative sashes and symbolically hold a hu tablet. They are in excellent condition and add positive chi and enhance feng shui. Kitchen Gods especially pairs are now rare and very collectible and make unique wedding and house gifts.
Mazu represents different ideologies among two distinct Chinese economic groups: the masses of devotees who adore her in oral traditions as the humble provincial deity “Goddess of the Sea” versus the imperial followers who revere her in written tradition as the sanctioned “Empress of Heaven.” Two centuries after her death she was imperially sanctified, transforming…
Ancestor-figures portrayed as Chinese-officials were placed on a home altar with other house gods and religious images to bring fu to the household. During the Qing dynasty, designation as an Official was so significant families sought to emphasize this achievement in family ancestral figures. As traditional, this carve official has a serious expression, sits on…
Taoist images were represented as scholars, sages, heroes, deities, officials and priests. When these images are taken out of context they are difficult to identify so we describe them in generic terms. Seated on a backless chair wearing long flowing officials-robes with deep folds, we use the terms officials/priests for this image, since he his…
When ancestral images are taken out of context they are very difficult to identify so we describe them in generic terms as a Chinese Officials or Taoist Officials. This antique-Chinese-wood-carving may represent the noted historical figure the principal regent Dorgon of the first Qing Emperor Shunzhi who ruled from 1643-1650 as a”quasi” emperor based on…
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