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$885.00
H: 14.25” W: 7.125” D: 4.875” | CALL 213-568-3030 FOR SHIPPING
To pay homage and respect to one’s ancestors, Chinese rural families commissioned images to honor and protect family members, and in some instances, their domestic and farm animals as seen in this exceptional, fine and rare carving. Intricately carved from one piece of wood, it depicts a Taoist official holding a hu tablet on top above the “Spring Ox” accompanied by the “Herd Box”, who together perform an ancient agricultural rituals at the end of each winter to wake the earth up so that spring can arrive.
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$395.00
H: 17.125” W: 5” D: 14.5” | CALL 213-568-3030 FOR SHIPPING
Burmese ox carts are often decorated with carved teak ornaments attached to the yoke/cart crosspiece with a similar function of protection and guidance as the figurehead prow on a ship. This ornament of a man moving up a hill is probably a Burmese nat that wascinitially brightly painted andnow is mounted on a wood and metal stand.
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$325.00
H: 14.5” W: 17.75” D: 3.375” | FREE SHIPPING!
Finely carved figures were attached to ox cart yokes to protect farmers from malevolent spirits who inhabited all seen and unseen sectors of their environment. This beautifully carved ox cart yolk was created in the image of a chinthe, (the word for lion) a mythical creature commonly represented in Burma to decorate a multiplicity of everyday items. Considered a propitious spiritual and protective guardian figure, the chinthe symbolizes power, courage, and strength. This carving displays the common characteristics of singhas with a long face with large eyes, a long sharp nose, a long draping lion-like beard, and a flame-like shape on the top of his head. He stands on all four legs holding his beard that extends from his open roaring mouth with sharply pointed teeth that combine elegance with strong beast-like strength. He is masterfully carved with careful attention to details like the deeply incised hairs that cover his body. For functional reasons, the piece is in two parts held together with a wooden plug. Even though it was for daily use, Burmese craftsmen created beautiful objects and finished them with the best materials they could afford. This piece was originally covered with lacquer, most of which has faded with use over time. It is in good condition with losses to his left side, fading surface, and wear consistent with its age and use.
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