Porcelain is considered more refined and delicate than other ceramic forms. It was first made in China during the Yuan dynasty and its production increased during the Ming and Qing dynasties. Ceramics fired at lower temperatures were usually every day utilitarian pieces using inexpensive clays and colors for decoration made in quantities for the poor. Porcelain continually advanced as kaolin and other minerals were mixed in fine-grained clays, kilns were improved so they could reach higher temperatures and clearer glazes were created. Producing porcelain began by firing a biscuit (an unglazed ceramic body) at a low temperature, adding painted cobalt blue (made from cobalt and aluminum oxide) designs on its surface, covering it with a clear glaze and then firing the piece at very high temperatures. This process created a harder, non-porous, vitrified (glass-like) body that was white, translucent and able to produce sounds when lightly struck depending on how thin the body was. Because porcelain was superior to other types and kinds of ceramics, a huge response ensued for porcelain for domestic and export use.
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Unique rotund teapot of cat protectively sitting on a mouse. Raised paw spout, removable head and sinuous tail handle. Blue collar ribbon with bow symbolize long life. Black, pink, brown accents on face, ears, head, paws and body.
This charming vintage porcelain cat teapot with raised paw for pouring tea, removable head and a sinuous tail handle is whimsical and colorful with a red ribbon collar, green bow and green, black and red accents defining the expressive face, ears, head and paws, all beautifully hand-painted. Manufactures seal on bottom.
This charming vintage porcelain cat teapot with raised paw for pouring tea, removable head and a sinuous tail handle is whimsical and colorful with a red ribbon collar, green bow and green, black and red accents defining the expressive face, ears, head and paws, all beautifully hand-painted.
Large, charming antique cat teapot with raised paw spout and spiral tail, gold decorative collar with dangles. Gesture of greeting and hospitality that welcome good luck and fortune.
This small charming Qing or early Chinese Republic teapot is in the form of an attendant, the arm she holds up imitates the spout of a teapot, the left arm arches to touch her waist suggesting a teapot handle and the hair is atop her head with flowers is a removable lid for pouring tea inside. She typical attendant clothing, a high mandarin collared jacket draped over a flaring skirt that is the piece’s base.
This finely hand-painted rectangular porcelain cobalt blue and white box with underglaze designs was used to store ink cakes as part of an assortment of prized items on a Chinese scholar’s desk. The cover is painted with bindweed designs, wave-like curved lines usually indicating water, and a fanciful bat’s face inside a continuous geometric meander or fret pattern. The box sides are covered with bindweed, spirals, and circles, and although circles and round shapes are usually associated with or represent heaven, these seem strictly decorative. There are traces of red, brown, and black ink inside and on the edges of the unglazed portions and rough and stained areas on the unglazed portions of the box and wear consistent with and demonstrating its age and use.
Chinese Republic ceramic parrots are commonly depiction as this one perched on an open rocky base. Porcelain parrots were produced for the domestic and export markets and sometimes sold in pairs leading some to believe they, like pairs of fish, symbolized the love and fidelity of married couples. This one has vivid polychrome colors, large eyes and stylized wings. This piece is in excellent condition.
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