Tribal Art

A tribal group (tribe) has a strong consciousnes of, loyalty and commitment to and identification with a social group composed of families or clans sharing the same language, customs, interests and beliefs and whose affiliation rises above all others. The tribe shares common ancestors, has a common leader and often produces art with accepted standards, guidelines and recognizable group symbols unlike the art of others. Often called tribal art, other acceptible phrases with the same meaning include ethnic, indigenous and folk art.

Showing 13–24 of 32 results

  • Antique Tuareg Manilla Currency/Slave Bracelet, Africa (3152XKM) $285

    $285.00
    Bracelet H: 3.875”  W: 3.5”  Thick: 1.125”   | FREE SHIPPING WITHIN CONTINENTAL U.S.!

    This 18-19th century Tuareg manilla was fashioned using a sand mould in a traditional horseshoe shape with bulbous rounded faceted ends. decorated with hand hammered fine details which have faded from age and wear. Individual Tuareg tribes each use unique symbolic imagery and decorative motifs passed down for generations. It comes with a wood and metal stand.

     

  • Antique Tuareg Manilla Currency/Slave Bracelet, North and West Africa (3145DHM) $295

    $295.00
    H: 3.125″   W: 3.125″   D: 0.75″ | FREE SHIPPING!

    This elegantly shaped horseshoe-shaped manilla from the Mali and Niger region is decorated with hammered and incised embellishments, designs, and decorative motifs unique to individual Tuareg tribes that have been passed on for generations. It is divided into distinct sections, each with detailed traditional etched linear designs, circular cutouts, diamonds, grooves and terminating in large rounded knot finials incised with layered triangles designs. Bracelets/anklets of this massive size were never worn as jewelry but were used as currency and to represent status. The patina shows its age, long use, and wear.  It comes with a wood and metal stand.

     

     

     

  • Antique Tuareg Manilla Currency/Slave Bracelet, North/ West Africa (3149TKM) $275

    $275.00
    H: 3.375”  W: 3.25”  Thick: 1.25” Circum: 5.75” | FREE SHIPPING

    Tuareg wrist and ankle manillas made from sand moulds were usually shaped in a large C. Recognized for their unique etched designs, symbols, motifs and faceted knob ends, each is a one-of-a kind creation. This  bracelet has massive finials with 12 facets containing detailed hand-etched and hammered designs including raised circles. It is in excellent condition with appropriate signs of age and use and comes with a wood and metal stand.

     

    Sources

    Helen E. Hagan and Lucile Meyers, Tuareg Jewelry: Traditional Patterns and Symbols, Xlibrus Corporation, 2006.

  • Antique Tuareg Manilla Currency/Slave Bracelet, North/West Africa (3156JCE) $195

    $195.00
    H: 3.5”  W: 3.625”  Thick: 0.50” Circum. 10.125”  | FREE SHIPPING WITHIN CONTINENTAL U.S.!

    This finely fashioned antique Tuareg manilla bracelet/anklet is a traditional slim circular-shaped bracelet with hoof-shaped terminals, hand incised striated decorations, and faceted rounded beads at the open ends. Manillas were important currency for nomadic populations since they were easily portable. It is in excellent condition with a fine patina and comes with a wood and metal stand.

  • SOLD Antique/Vintage Hammered Iron Gong on Stand, Democratic Republic of the Congo (3893BKR) $395

    $395.00
    H: 21″  W: 8″ D: 4.75″ | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030

    This traditional African hammered iron gong is elegantly shaped like a flaring bell. Heat riveted, a forging process joining two metal pieces together, it was made by Congolese tribal people. Made with 5 parallel lines of 5 decorative round bulges on both sides, it was often held using a raffia handle and beaten using sticks covered with rubber at its end. Originally a ritual instrument, they were also beaten to call members of special restricted societies to meetings and were a symbol of wealth, prestige, and influence.

  • Vintage Carved Dewi Sri Rice Harvest Goddess, Bali (3044WOK) $425

    $425.00
    Ht: 14.5”  W: 3.5”  D: 2.25” | FREE SHIPPING!

    This rare vintage carving was probably made for a  home shrine or small rice field temple dedicated to Dewi Sri, the Balinese Goddess of Rice. The hole near the bottom indicates it may have been part of a larger decorative scheme.

  • Vintage Carved Ibeji with Necklace, Africa, Nigeria Yoruba (1964BHA) $475

    $475.00
    H: 9.625″  W: 3″  D: 3″ | FREE SHIPPING!

    This vintage Ibeji carved image portrays a simple yet strong elegance with his characteristic large conical head, long curved neck and elaborately striated hairstyle. His extremely large round bulging eyes under heavy lids, flaring nose, full lips, and large flat ears reflect the Yoruba idealized form of beauty and exemplify being a correct and upstanding example of tribal values. His prominent genitalia and buttocks and his sturdy vertical stance on wide feet, thick legs and strong rounded shoulders and arms symbolize his strength and fertility. Scarification patterns appear on his cheeks and forehead, and he wears a necklace with traditional Yoruba blue and multi colored beadwork.

  • Vintage Carved Tibetan Cham Mask of a Horse, Nepal (11325B-GHL) $325

    $325.00
    H: 13.5”  W: 7.5”  D: 5” | FREE SHIPPING!

    This Tibetan mask shows the mastery of Tibetan carvers. It emphasizes the horse’s strength and alertness by cutting deeply around the large and widely separated eyes, raising the lids, creating black eyelash lash patterns as if the horse is moving and proving its strength and stamina. Its open mouth reinforces this and reveals a fine set of teeth. In excellent condition, it was personally collected in Nepal in the late 1970’s.

  • Vintage Dayak Ancestor Mask (Hudoq), Kalimantan (Indonesian Borneo) (1200TSK) $485

    $485.00
    H: 14.75”  W: 12.125”  D: 4.375” | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030

    Dayak Hudoq made after the arrival of masks from Java show their influence, but now even masks like this valid Vintage Dyak piece are hard to find. Authentic with strong parallels with traditional Hudoq pieces, it is painted in an unusual detailed pattern while the projecting mouth and nose, pierced eyes and undulating snake-like elements on the separately carved and attached wing-like ears align with Hudoq tradition. Mask reproductions throughout Indonesia are referred to as “antique baru” (new antiques), but this original, later, authentic vintage mask is hard to find and scarce. Personally collected in the 1970s, it is in excellent condition, placed on a museum-quality metal stand and without restoration or repairs except for the new wing-ear bindings.

     

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  • Vintage Dyak Ancestor Mask Museum Stand, Kalimantan (1300BMK) $675

    $675.00
    H: 16”  W: 7.875”  D: 3.375” | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030

    This vintage Dyak hudoq mask from Kalimantan (Borneo) reflects many characteristic hudoq elements: its characteristic head shape, white designs on the forehead and face, the curled mustache arabesques and other carved and painted areas around the eyes  creating a well-carved, special and impressive image.  Made from a single wood piece, it is a transitional stage carving that stylistically reflects traditional Dayak (Dyak) masks but blends it with Javanese mask traditions. Collected personally in Bali in the 1970s, it comes with a museum-quality metal stand.

     

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  • Vintage Rice Spoon with Bird Handle, Indonesia (1229MAE) $115

    $115.00
    H: 14”  W: 4.625  D: 1.625” | FREE SHIPPING

    This vintage rice paddle or spoon from the Indonesian Island of Lombok was likely carved by a Sasak craftsman. The end of the handle is bird head, probably a parrot, with a finely carved beak and angular cuts indicating its delicate neck feathers. Parrots are revered throughout Indonesia, home to 85 species.

  • Vintage Shell Ear Cover, Human Figure, India (1639A-GKE) $225

    $225.00
    H: 4.625″  W: 2.5″  D: 2.125″ | FREE SHIPPING in continental u.S.

    This rare conch shell Naga ear cover  worn by men only were attached to their pierced ears. It is decorated with a stippled (black dots) abstract design of a male with arms, hands and fingers up and a round head extending from a very long neck. This is a pair with 1639B-GKE and, in contrast to the other major design used for ear covers, the shell’s edge has a stippled outline near the edge framing the entire image. It is mounted on a modern frosted Acrylic base that blend well with any interior scheme.

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