The ushnisha is a raised cranial protuberance, sometimes described as a three- dimensional oval or a top knot chignon, that is a symbol of the Buddha’s Enlightenment and denotes his intellectual power, wisdom, and attainment of spiritual radiance. It’s origin may be from hair styling in India where men tied their long hair in a bun to wear a turban or, as with the Buddha, an ascetic’s top-knot. Artistic renderings of the ushnisha vary by region and Buddhist tradition. In Mahayana Buddhism it is portrayed as a smooth rounded bump atop the Buddha’s head and in Southeast Asia, center of Theravada Buddhism, it is often represented as a tall thin rising flame or lotus flower. The ushnisha is sometimes centered with a painted hemisphere, called a nikkeishu in Japanese, symbolizing a jewel radiating the light of wisdom.
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This Lao Buddha reflects Theravada Buddhism, the original conservative tradition practiced in Southeast Asia depicting the Buddha, by closely following proscribed cannons in ancient texts. Lao sculptural styles resemble those of Northern and Northeastern Thailand where Buddha statues closely reflect the lakshana, the 32 “auspicious marks” or physical traits by which the Buddha can be…
In traditional Theravada Buddhist practice, Shakyamuni Buddha was depicted in simple robes of a monk representing his renunciation of worldly goods and desires. In contrast in Burma/ Myanmar, Buddhas were depicted with lavish royal attire known as the Jambupati Buddha. According to legends, King Jambupati wished to be the most powerful ruler in the world and…
Throughout Burma/Myanmar Shakyamuni Buddha was depicted in lavish royal robes to illustrate the traditional story of King Jambupati and the Buddha. In traditional Theravada Buddhism, Buddha Statues are depicted in simple monks-robes as he renounced worldly goods and desires and rejected his princely heritage. Legend states the haughty King wished to be the world’s most…
This superb, colorful and rare carved Buddha is seated in vitarka-mudra, the taching hand position. His delicately carved calm face has a benevolent and compassionate expression with a slight reassuring smile. The elegant body appears to float above deeply carved swirls reminiscent of clouds. Fine facial features, the graceful body and exquisitely carved and painted drapery make this a truly impressive and striking image. Given its size and masterful carving , it should hold a place and be revered commensurate with its spirituality and artistry.
This delicately carved Theravada Lao Buddha from the latter part of the 2nd Classic Period (1827-1893) in Northern Laos reflects many of the artistic traditions of the Lao Golden Age (1520-1777). The unique Lao interpretations of the lakshanas (“auspicious marks” of the Buddha)are seen in this statue: egg-shaped head and face, golden skin, eyebrows like…
A Buddha-statue or painting is called in Sanskrit Buddharupa meaning “the form of an Enlightened One.” This one from Burma/Myanmar portrays the historical Shakyamuni-Buddha sitting in bhumisparsha (Sanskrit for the Earth Touching mudra) which shows his inner strength at the moment of his enlightenment and is one of the most common poses used for Burmese…
A wood or metalwork Buddha statue or painting is called a Buddharupa, in Sanskrit meaning “the form of an Enlightened One.” Made in Thailand, this Buddha exhibits traditional characteristics of Theravada Buddhist statues and is rendered in Lopburi style which was predominant in the central, east and northeast Thailand during the seventh to thirteenth century…
This fine rare Ming/Qing carving depicts Shakyamuni Buddha in meditation is made from fine dense wood with much of its iridescent pigmentation. He is masterfully carved with a serene, benevolent and pensive expression wearing plain but elegantly carved monks robes. This spiritual piece is a small yet very powerful image.
This mid 20th century Buddha Shakyamuni in Earth Witnessing position is carved in rural Lao style. Covered with gilt, the small rustic and simply carved image follows Lao artistic canons for depicting a Buddha: a curved hairline and high arched eyebrows that meet at the bridge of the nose, distinct hair curls, long ears, and a flame-shaped radiance emerging from his ushnisha. Its very large base is as tall and wide as the image, reflecting Laotian beliefs that a high pedestal reflects a deep respect for the Buddha. A base has been added for display purposes. Authentic old Lao images, even small personal ones like this, are difficult to find.
This finely cast metalwork brass Shakyamuni Buddha reflects the conservative tradition of Nepalese sculpture which experienced few changes in proportion or decorative details over the past several hundred years. Originating stylistically from Gupta and later Pala Indian art, Nepalese artists created their unique style from the 6th-7th centuries that evolved to a distinctive physiognomy including…
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