Showing 1–12 of 138 results
In Babayan’s native Armenia, autumn is celebrated as a golden time of reflection, with shinning sun, fresh air and multi-colored leaves. The painting expresses the season’s tension between decay and beauty with delicate, swirling strokes that evoke both transformation and stillness.
This lyrical and radiant painting captures the energetic dance of summer and nature in full bloom. With swirling marks, dynamic color and movement, Anush memorably celebrates her favorite season.
In Angels of Love, three angels rise organically above what can be interpreted as the Tree of Life. Symbolically for the artist, love nourishes both the internal and external roots of the universal Tree of Life in all of us.
Although this wonderfully carved antique figure portrays an ancestor depicted as an official, his atypically benevolent and finely modeled face makes him a very endearing figure. Old and weathering from age in its rear, this piece was repainted probably in the 20th century, as was periodically done with old figures with losses, especially due to seasonal South China climate. With his individualized convincing features, he is a very relatable rather than authoritarian figure, possibly resulting from the affection of the family that commissioned it. This beautiful and vibrant carving would enhance any setting.
Guandi lived during the latter part of the Han Dynasty and is the best known and most revered Chinese military historical hero. He was canonized in 1504 as Guan Di, the Taoist God of War and China’s Protector. According to Keith Stevens, he is “all things to all men, not only prayed to for protection…
This fine woodcarving is Chou Ts’ang, the aide-de-camp and attendant to Guandi, the most revered and well-known military hero in Chinese history and the Taoist God of War. As an attendant his hands held together and eyes down cast in respect and legs firmly planted on the ground. His protective military clothing and heavy boots presented in detail and the high red and black pedestal with painted gold florals make him a key figure even though the figure of Guandi he attends would have been much larger and important.
Attendant figures are usually presented on an altar in pairs flanking revered figure they honor. This lovely carving is an enlightened being indicated by her pendulous ears, an elevated flowing ribbon, and blissful smile. She traditionally carries offerings which might be food, fruit, medicine, or other unique items. Her extremely pleasing face highlights her modesty as…
This extraordinary carving is Shakyamuni Buddha in the Earth Witnessing hand position called Bhumisparsha. It is one of the four major events in his life – his Birth, Enlightenment, First Sermon and Death – which are most often portrayed in Southeast Asian Theravada Buddhism. His right hand symbolically reaches to touch the earth to call…
This antique Lao Buddha stands in refined dignity displaying inner tranquility and strength, hands in abhaya mudra that connotes reassurance, divine protection, and dispelling fear and signifies Buddha’s spiritual power as he bestows protection from evil and ignorance and conveys “fear not” to devotees.  As typical of Lao Buddhas he is covered in gilt visually reflecting his golden skin and a finial or radiance as a flame emerging from atop his head. His wet style Buddha robe that is smooth and graceful in its simplicity and adds elegance to the carving while showing his body underneath his clothing.
Hand carved coconut cutters were commonly used in Asia to facilitate the difficult task of extracting all parts of a coconut which were routinely used. Carvers made unique and functional folk art tools using local artistic motifs in nature. This carving with its intricate circular patterns surrounded by florals impart a warm and rustic feeling that would be a special decorative addition to any style kitchen and an interesting conversational piece.
This rare, elegant, gilt covered Jambupati Buddha wears regal Burmese court attire with luxuriant jewelry and huge decorative flanges surrounding his multi-layered elaborate faceted crown topped by an elongated ushnisha. Seated on a high ornate multi-tiered waisted throne in Earth Witnessing position, he looks directly at onlookers with strength and a sweet smile to emphasize his spiritual and material power.
This very fine pair of antique carved males fu lions represents the dual nature of these mythical animals: as protective images they are powerful and fierce, as Buddhist images they are whimsical with smiling faces, dangling tongues, hanging ears and bushy tails. They are extremely well carved with harnesses and bells around their necks, detailed manes and tails on high intricately decorated bases to signal their importance. Perfect for enhancing feng shui in a home or office, large finely decorative wood pairs like this are extremely hard to find.
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