Showing 397–408 of 424 results
Wearing a full mask of an ideal high-born Hindu king (dalem), dancers from Bali perform folk-art and ethnic-art dances without speech using only body language, gestures and movements to depict…
This mask is patih keras, a strong king’s prime minister in orange symbolizing a tough, intense and powerful person reinforced by his large bulging eyes, powerful stare, red lips and full black moustache. Personally collected in Bali in the 1970s, this beautifully carved mask is in excellent condition with a wash applied on the back to make it look older.
This fine, deeply carved and painted Balinese mask is the king’s strong prime minister (patih keras), a position of prestige usually filled by warriors of the second Hindu (ksatrya) caste. The large bulging eyes increase the power of his stare and the outsized thick bright red lips symbolize his intensity. This mask was personally collected in Bali in the 1970s and is in excellent condition with minor hair loss on the eyebrows.
This fine vintage historical ethnic Balinese mask is Kebo Taruna. the powerful Balinese minister (patih) feared by Gaja Mada the brilliant Javanese “Elephant General” who brought the Indonesian Hindu Majapahit Empire to its peak and conquered Bali in 1343. His peculiar half-smile, forceful eyes and angular nose are carved to complement his intense expression, make it look more forceful and add energy to the mask. These features describe the minister’s power and confidence. Finely carved and embellished with animal hide and hair for his mustache and eyebrows, this mask is in excellent condition.
Click here for the blog Indonesian Dance Masks (Topeng): Spiritually Connecting the Community
Made in Pagan this miniature hsun ok demonstrates the remarkable sense of design of Burmese wood carvers. It is crafted in two separate parts and replicates the shape of larger hsun-Ok, which traditionally have covers with spired lids topped by elegant finials that imitate the soaring outline of Burmese stupa finials. This modest piece has circular tiers repeated on the foot and the stupa finial top.
This fine vintage teak carving depicts a Burmese dancer holding a sword with his right hand behind his head. His attire includes elements of formal court dress: a court cap, a top with long sleeves ending at the wrists and collar with half-round segments, and a skirt-like sectioned pants with dramatic wing-like projections. Also, males and females could not touch during the performance. As a set, the three panels the Female Farmer with a Hoe (T052C-BLE), Female Farmer with a Basket (T052B-BLE) and the Court Dancer T052A-BLE) would make a unique and charming wall arrangement.
This delightful polychrome wood folk panel of a barefoot female farmer carrying a basket is one of special, finely executed modern folk “antiques” created in Burma in the past few decades. This charming creation exhibit the skills and creative imagination of a Burmese folk art artisan producing an attractive earthy and decorative quality that compliments and adds warmth to any interior. By adding a back hook it can be made into a unique wall decoration. As a set, the three panels of the Female Farmer with a Hoe (T052C-BLE), Female Farmer with a Basket (T052B-BLE), and Court Dancer (T052A-BLE) would make a unique and charming wall arrangement.
This delightful polychrome wood folk panel of a barefoot female farmer is one of some special, finely executed folk-art “antiques” created in Burma in past decades. It exhibitss the skills and creative imagination of a Burmese carver-artist who producied a fine earthy, attractive, fine decorative piece to compliment and add warmth to any interior. By adding a picture hook, it can become a unique wall decoration. As a set of 3, the panels Female Farmer with a Hoe (T052C-BLE), Female Farmer with a Basket (T052B-BLE) and Court Dancer (T052A-BLE) would make a stunning and charming wall arrangement.
Ht: 9.75″ W: 3.5″ D: 2.5″ | FREE SHIPPING WITHIN CONTINENTAL U.S. !
This Chinese Republic Period delicate porcelain figurine holds a rose at her heart in her right snow white hand, her left arm covered by her shawl resting on a waist-high decorative vase with an opening to hold incense (joss) sticks. Her shawl drapes over her shoulders and lower garment with floral motifs extending to the beaded belt at her waist. The sweet facial expression with slightly smiling bowed lips is framed by her piled hair looped in a chignon over each ear. Given her luxurious garments and accessories, she is an aristocratic woman. The rose was often used on porcelains during this period, representing eternal spring.
This vintage rice paddle or spoon from the Indonesian Island of Lombok was likely carved by a Sasak craftsman. The end of the handle is bird head, probably a parrot, with a finely carved beak and angular cuts indicating its delicate neck feathers. Parrots are revered throughout Indonesia, home to 85 species. This folk art carving is a great kitchen accessory.
This rare conch shell Naga ear cover worn by men only were attached to their pierced ears. It is decorated with a stippled (black dots) abstract design of a male with arms, hands and fingers up and a round head extending from a very long neck. This is a pair with 1639B-GKE and, in contrast to the other major design used for ear covers, the shell’s edge has a stippled outline near the edge framing the entire image. It is mounted on a modern frosted Acrylic base that blend well with any interior scheme.
Conch shell ear covers worn by Naga men only are attached to pierced ears using thin natural fiber strings with glass bead, wood or bamboo stoppers. They are made with one of two stippled (engraved, marked with black dots) designs on the shell that is a difficult process. This rare one portrays a standing frontal male in a wide stance with his arms and hands with fingers splayed and held up and an abstract round head atop a long neck and is a pair with 1639A-GKE.
End of content
End of content