Showing 97–108 of 205 results
Most antique Chinese outdoor garden stools were made in a drum or barrel shape using common ceramic designs like decorative fretwork, low relief decoration, simple pierced schemes, a variety of underglaze painted images, calligraphy and more. The upper border of the body of this beautiful stoneware garden stool is covered with four color bands that…
Wall pockets remain a very common decorative element in Asian homes. In China, they are used to hold chopsticks and flowers to bring good fortune to a space where the family gathers. This Shiwan stoneware pocket has 2 very auspicious symbols: a frog and a lotus that symbolize nurturing energy and transformation. With a hole in the back for hanging on a wall, it is great addition to enhance a kitchen’s coziness and feng shui and a wonderful wedding gift.
Decorative utilitarian Shiwan ware pieces are recognized for their fine modeling, vivid expression, and colorful apple-green and drip glazes. Chopsticks were commonly stored in wall pockets with a hole for mounting. Covered with auspicious symbols, they were often part of a bride’s dowry as “chopsticks” is a pun for “speedy arrival of sons.” It can hold utensils, dried flowers, and other objects and is a unique wedding gift.
This elegant antique heddle-pulley carved from a single piece of Burmese teak is topped by a hamsa, a goose-like bird and a sacred Buddhist symbol of wisdom. Auspicious symbolic animal images are believed protect the weaver, assure quality weaving, and pleases the gods and spirits. It is wonderfully weathered from time and use with minor losses with a fine patina. Mounted on a black wood base, this heddle pulley pairs well with item number 11298A.
This intricately hand carved gold and silver platter with indentations on both sides was used to make confections called sweetmeats eaten at festivals, holidays, and other key celebrations. The round molds symbolize the moon and cohesion of the family. The 5-petal plum blossoms attached to vines symbolize purity and endurance, as well as the coming of spring, renewal, and longevity. The multiple seeds are a wish for fertility and sons, and thus this mold may have been a holiday and/or marriage gift to a young couple.
The Kitchen God (Zao Shen) was and still is among the most important Chinese house gods. Traditionally every family had its own Kitchen God with or without his wife above the stove to reflect his and its central position in the family’s life. The Kitchen God is both a syncretic and a tutelary deity embraced…
This charming oil lamp is decorated with auspicious symbols: Fish symbolize harmony, marital happiness and double fish mean “may there be abundance.” The oil cup is a lotus seed with a lotus leaf, symbols of a harmonious and fruitful marriage and also mean “the continuous birth of sons.”
This charming oil lamp is decorated with auspicious symbols: Fish symbolize harmony, marital happiness and double fish mean “may there be abundance.” The oil cup is a lotus seed with a lotus leaf, symbols of a harmonious and fruitful marriage and also mean “the continuous birth of sons,”
Exquisitely carved with expressive and spiritual bearings, these three 19th century rare small antique wood Apostles have eyes with inset glass, painted lashes, and well-articulated facial features . The crack lines on each side of their faces indicate the process by which the eyes were inset in front of the faces. All are seated, bearded and wear similar robes, although the garments are in different vibrant color combinations, the hand positions are varied and the body postures diverge slightly. Each is mounted on a two-tiered wood base, elevated at different heights. This piece is featured in a VA instagram post.
This exquisite teak carving of a Mandalay Burmese male dancer wearing a sarong is in a fluid twisted pose emphasizing his strength, balance and grace with his raised hand is in a position similar to a Buddhist mudra. His humble status is reflected his head scarf and a bejeweled sarong with insert glass that reflect light and add movement and depth. His joyful beautiful face stares with open eyes and slightly parted lips It is simply a gorgeous work mounted on a contemporary frosted stand to complement any setting.
This exceptional naga was one of two that comprised a gong stand. Gongs were used in Burma for both ceremonial and musical purposes in religious, state, or secular settings. A protection figure, this naga is a superb carving elaborately decorated with gold lacquer and pigmentation. He opens his mouth wide bearing mother-of-pearl teeth and a curled blood red mouth and tongue to drive away malevolent spirits, also reinforced by the large glaring eyes circled in red. On first glance it is menacing, but its history as a protector of Buddha Shakyamuni make it prized as a fanciful, gleeful guardian. His scales are arched relief designs of mixed lacquer and ash and they are highlighted with inset cut mirrors and green sequin-like glass “jewels.” It is mounted on a museum quality stand and is in excellent condition for its age and use despite missing an ear.
Artfully shaped hsun ok pieces to hold offerings to monks and make merit reveal much about Burmese artisans: exceptional lacquer ware skills, support for monks and devotion to Buddhism. This large elegant Hsun Ok has a flaring pedestal, lid with a finial symbolizing a Buddhist stupa and applied mythical animals and floral decorations. Early 20th century pieces with these special details are harder to find and copies abound.
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