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When ancestral images are taken out of context they are very difficult to identify so we describe them in generic terms as a Chinese Officials or Taoist Officials. This antique-Chinese-wood-carving may represent the noted historical figure the principal regent Dorgon of the first Qing Emperor Shunzhi who ruled from 1643-1650 as a”quasi” emperor based on…
This fine antique Chinese wood carving was likely placed in a clan shrine or home altar with other religious images, ancestor figures or folk heroes reflecting the Chinese syncretic tradition that adhered to multiple spiritual and belief systems. Although it is difficult to identify specific figures, this image is likely a Taoist priest in officials…
Ancestor worship has been practiced throughout China using carved wood figures of deities, monks, priests and ancestor figures on home altars. In recent years there has been a resurgence of ancestor worship, especially in local Chinese communities practices by Buddhists, Taoists, and Popular Religion followers. Carvings of Taoist priests called daoshi often hold Taoist symbols…
While major deities such as Guandi were officially sanctioned by government and religious authorities, many popular deities and historic figures were integrated into Popular Religion beliefs where they were assimilated and greatly modified with local traditions and iconographic depictions such as this. We assume this is Guandi, one of the most revered Chinese deities based…
This Kitchen God and his Wife is posed as streamlined virtual mirror-images and fashioned with a general quality relying on paint rather than deep carving for details. They sit on backless chairs on a plinth, with simplified gold officials’ robes with long color sashes, and well-carved black and gilt head gear. The wife’s face is smooth, generalized and the male face has a more deeply carved surface and painted highlights.
Images of Taoist priests were often placed on a home altar along with other spiritual images, ancestral tablets and ancestor figures to honor the departed family members, practice familial piety and ancestor-worship, and request good fortune to the family dwelling and its household. Priests were called daoshi (道士 “master of the Tao”) identified by his…
This image from Guandong wears typical Taoist priest or shaman attire – an undergarment crossed at the neck, an overcoat clasped at the waist and a double-winged high hat centered with an image of a taotie. The taotie is a mystical animal sometimes on the hat of Taoist priests or shamans as a guardian or…
This fascinating thick Song pottery brick is a low-fired depiction of a dwarf foreigner with a rotund belly, a large head and nose, an open mouth and abnormal features. The Chinese believed dwarfs could ward off evil spirits and sickness, attract peace and blessings (fu) and were very wise. Images of dwarfs became so popular, some were produced in numbers.
As part of the The Song dynasty cultural expansion, government and public buildings and tombs were built with interior walls decorated with earthenware unglazed mold-made brick tiles. This fanciful vibrant tile with a scalloped frame portrays two people playing a board game called wéiqí which originated in China over 2500 years ago. It is the world’s oldest and most complex board game still played.
This late Song dynasty earthenware ceramic brick tile portrays a couple sitting behind a banquet table with foods placed in front of them. On the right are two figures, one of whom points to a stylized image of a bat flying in the sky.
This human figure is an honored Dayak effigy called a hampatong, the name used for both ancestor and protective human and mythical animal figures made from Borneo ‘iron wood’. The Dayak people are indigenous to Borneo (Kalimantan), Indonesia, the world’s 3rd largest island with 4.6 million members comprised of over 200 ethnic subgroups. Residing in…
Cocoon jars were mingqi made for placement in tombs to comfort the deceased on their journey to and in their afterlife. An elixir of Immortality made from mulberry leaves or their ashes was placed inside for the deceased to drink and transmigrate into the world of the beyond. Ovoid in shape to resemble a silkworm cocoon, ajar rests on a small trumpet-shaped foot and has a narrow neck and a wide lip at its mouth. Painted after firing with vertical bands dividing it into panels, swirling cloud scrolls, and circular “eye” motifs at each end, this beautiful vessel is in excellent condition for its age with expected paint losses, scrapes, and dirt adhesions.
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