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Seated imperiously on a horseshoe chair with carved title “Holy Mother in Heaven,” Mazu is depicted in the imperial style, with a regal flat topped headdress, elaborate robes with dragons, official’s girdle in red and gilt.
Mazu, protector of sea, is portrayed as the imperially sanctioned “Empress of Heaven” on an elaborate, horseshoe shaped dragon throne, holding a hu tablet, with elegant dragon robes, official’s girdle, Empress headdress and small feet on gilt fu lion foot rest.
Provincial Nanhai Guanyin palms at heart in anjali mudra, a mudra of offering rarely used for Nanhai Guanyin. On lotus throne at Tidal Cave on Putuo under a craggy rock outcrop with pierced openwork.
Chinese Noa opera mask is likely a female zhengshen – a benevolent gods with kind and honest nature and gentle disposition -symbolizing the power of good to defeat evil. Age and heavy use
Carved ancestor figure as an official sits on a backless chair with a decorative pedestal in official’s attire holding a long slender curved hu-tablet, all signs of his office and status. He is vibrantly painted in red, the color of fu, as a wish for prosperity and status.
Pair of oil lamps for good fortune with diamond shaped double lozenge meaning many treasures, and plum blossoms, symboling the Five Happinesses – wealth, health, longevity, peaceful death and love of virtue.
Rare and charming carved attendant pair to flank deities on circular pedestals presenting boxed offerings with ribbons as wish for longevity.
Provincial carving with iconic phoenix headdress, hands in karana mudra to cast out demons, negative energy and purify spaces. Image was on home altar and consecrated with a sealed cover.
By making the Queen Mother larger than her horse and adorning it with decorative accessories – wide blanket, prominent head gear, double rowed harness, decorative medallion – this provincial artist emphasizes her power as Tao goddess of life, fertility and granting immortality.
Very rare depiction of Queen Mother of the West puppet head wearing elaborate headdress with outstretched tortoise legs atop a phoenix, reflecting early shamanism rites of turtle shell divination. Mounted on acrylic base.
Dense hardwood Queen Mother carving with phoenix in crown, holding robe across body, calmly seated on backless throne, much original polychrome and lacquer finish remains. Sealed consecrated cavity.
Unique ancestor figure of a huntsman in the round standing on a domed pedestal, holding a flint lock, wearing a hunting coat, a two-level hat, traditional under- and outer-garment, and thick boots.
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