Showing 25–36 of 67 results
Provincial Nanhai Guanyin palms at heart in anjali mudra, a mudra of offering rarely used for Nanhai Guanyin. On lotus throne at Tidal Cave on Putuo under a craggy rock outcrop with pierced openwork.
Chinese Noa opera mask is likely a female zhengshen – a benevolent gods with kind and honest nature and gentle disposition -symbolizing the power of good to defeat evil. Age and heavy use
This carved ancestor figure portrayed as an official sits on a backless chair with a decorative pedestal in official’s attire: a high collared red robe, double belt above and below his ample stomach and holding a long slender curved hu-tablet, all signs of his office and status. He is vibrantly painted in red, the color of fu, as a wish for prosperity and status.
Pair of oil lamps for good fortune with diamond shaped double lozenge meaning many treasures, and plum blossoms, symboling the Five Happinesses – wealth, health, longevity, peaceful death and love of virtue.
Rare and charming carved attendant pair to flank deities on circular pedestals presenting boxed offerings with ribbons as wish for longevity.
Provincial carving with iconic phoenix headdress, hands in karana mudra to cast out demons, negative energy and purify spaces. Image was on home altar and consecrated with a sealed cover.
Rare Queen Mother on horseback symbolize harmony with nature, magnificent headdress with phoenix, holds elixir of immortality cup granting eternal life.
By making the Queen Mother larger than her horse and adorning it with decorative accessories – wide blanket, prominent head gear, double rowed harness, decorative medallion – this provincial artist emphasizes her power as Tao goddess of life, fertility and granting immortality.
Very rare depiction of Queen Mother of the West puppet head wearing elaborate headdress with outstretched tortoise legs atop a phoenix, reflecting early shamanism rites of turtle shell divination. Mounted on acrylic base.
Dense hardwood Queen Mother carving with phoenix in crown, holding robe across body, calmly seated on backless throne, much original polychrome and lacquer finish remains. Sealed consecrated cavity.
This ancestor figure of a huntsman in the round is unique, standing on a domed pedestal, facing half right holding a flint lock, wearing a hunting coat, a two-level hat, traditional under- and outer-garment, and thick boots. As the noted scholar on Chinese wood carvings stated, a similar figure like this “unusual and extraordinary ancestral image of a huntsman with a flintlock gun, was the only ancestral image in his vast collection which “depicts the calling of the deceased.”
Rare single image of Kitchen God and wife, indicating their close/lasting relationship as family’s protectors. Detailed elaborate officials’ robes, headgear. Individually portrayed holding hu tablets like those held by high court officials or Taoist priests.
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