Showing 61–68 of 68 results
This masterfully and elaborately carved image represents the legendary Guan Ti (also Guandi, Guan Yu), the Chinese God of War and Justice wearing a celestial scarf. This most popular Chinese historical military hero is all things to all men, prayed to for protection and prosperity. He is generally portrayed as here wearing a soldier’s uniform…
Families placed cocoon jars with auspicious designs containing magical mixtures of mulberry leaves in tombs for souls of the departed to drink for a transformative afterlife. Ovoid shaped, it rests on a trumpet-shaped foot decorated with elegant cloud scrolls and circular “eye” motifs.
Rare provincial carving, possibly Guanyin on lotus throne atop an ox. Vibrant gold with intricate designs on the lotus petals and ox’s saddle coverings, this statue shows how the concept of a bodhisattva was adapted to the deification of “draft animals” (beasts of burden) who were integral to rural daily and agricultural activities in Chinese Popular Religion, Buddhism and Taoism beliefs.
This Queen Mother of the West, the highest ranking female Taoist deity was probably displayed as a pair along a statue of Guanyin, the most significant Buddhism female (Guanyin on a Lotus Pedestal (16206B) highlighting the importance and similarity of these revered female images Like the Guanyin, the Queen Mother’s delicately carved face has half closed eyes, serene composure mouth with a hint of a smile, which is more Buddhist than Taoist. Her headdress, centered by her iconic phoenix, rests under a hood extending to her shoulders and back. She wears a high collared three-layered Taoist robe, her hands covered by a ritual cloth.
This elegant Chinese Republic Period porcelain is the Taoist immortal Han Xiangzi carrying his auspicious flute dressed in a beautiful blue robe with wide black borders, fine internal decorations and a decorative yellow floral undergarment. On the bottom is the kiln seal. As the patron saint of musicians and florists, it is a great gift for someone who enjoys these pursuits.
Influenced by Islam for centuries, Javanese theater in Indonesia is stylized, didactic and full of central characters said to be cultural and historic icons of morality. Mask drama theater (Topeng Wayang) in Java is dominated by the conservative central Javanese palace courts (kraton) of Surakarta, Solo and Jogjakarta (Yogyakarta) which have long supported mask makers,…
The culture, rituals, tribal and ethnic art of the Dayak (Dyak) of Kalimantan (Borneo), Indonesia is a mix of shamanism, animism and ancestor worship. Dyak festival masks worn on the face or large ones attached to a costume repel malicious spirits from entering communal spaces, insure village safety, protect babies in their carriers and defend…
Vintage “crowns” called an ile ori the “house of the head,” were cowrie shell shrine made to show gratitude for and recognition of the power of the head and manifest Yoruba ideas of individuality and authority. Not meant to be worn they are often placed on altars for prayer and divination and can be a symbol of a Yoruba deity. This headdress with an impressive design was included in the San Francisco International Airport, “Crowning Achievements” exhibition in April-August, 1994. It comes with a Lucite stand.
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