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This small vibrant carpet square with fringed edges can be used for meditation to sit on, an accent piece or hung on a wall. Made from wool and natural dyes, it has a cotton foundation and double weft with a medium wool pile and fine geometric designs. Meander designs and geometric motifs surround the center…
Hand made in a folder style, this Bolivian religious document holder possibly used for priests’ sermons or other important documents, is decorated on each side with brocaded purple fabric with gold thread. The finely brocaded stylized and symbolic passion flower designs are framed by geometric and curved gold borders and the inside and ends are lined in red fabric. Our images do not do it justice as they cannot capture light flickers from the interwoven gold threads and vibrant gold floral patterns.
Hand made in a folder style, this Bolivian religious document holder possibly used for priests’ sermons or other important documents, is decorated on each side with brocaded purple fabric with gold thread. The finely brocaded stylized and symbolic passion flower designs are framed by geometric and curved gold borders and the inside and ends are lined in red fabric. Our images do not do it justice as they cannot capture light flickers from the interwoven gold threads and vibrant gold floral patterns.”
An Indian toran or bandhanwar is a beadwork tapestry traditionally placed at home doorways and thresholds and symbolize warmth, positivity, and protection. Their origin lies in ancient Hindu religious texts which are part of the Vedas, the vast genre of Indian literature that includes myths, legends, traditional philosophy, lore and rituals (circa 1500-1000 BC). They…
This rug was made in China for Vajrayana/Tibetan Buddhists who were taught this form of Buddhism by Tibetan monks invited there to teach Tibetan Buddhism. Rugs like this were made both for domestic Chinese use and for export to Tibet. Made from wool and natural dyes, this fringed small square has a cotton foundation and…
Woven from strands of raffia palm leaves, this vintage Kuba cloth reflects the traditional fabric traditions of the Kuba people in the Democratic Republic of the Congo. It is a typically bordered square with rough textural surfaces interspersed with repeated geometric patterns and embellished with sophisticated embroidered, applique and patchwork linear designs of interlocking meandering patterns of vegetable dye shades of dark brown and ivory in a natural flat-weave pattern framed with tufted-cut pile raffia and applique.
Woven from strands of raffia palm leaves, this vintage Kuba cloth reflects the traditional fabric traditions of the Kuba people in the Democratic Republic of the Congo. It is a typically bordered square with rough textural surfaces interspersed with repeated geometric patterns and embellished with sophisticated embroidered, applique and patchwork linear designs of interlocking meandering patterns of vegetable dye shades of dark brown and ivory in a natural flat-weave pattern framed with tufted-cut pile raffia and applique.
Vintage “crowns” called an ile ori the “house of the head,” were cowrie shell shrine made to show gratitude for and recognition of the power of the head and manifest Yoruba ideas of individuality and authority. Not meant to be worn they are often placed on altars for prayer and divination and can be a symbol of a Yoruba deity. This headdress with an impressive design was included in the San Francisco International Airport, “Crowning Achievements” exhibition in April-August, 1994. It comes with a Lucite stand.
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