Showing 13–24 of 46 results
Antique Fulani manilla from Mali or Niger, thin C-shaped, rounded smooth surfaces inside divided into 6 sections with incised crosshatch and linear designs. Fine patina, excellent condition signs of use consistent with its age.
Antique thick, rounded and smooth Fulani manilla etched with intricate geometric designs at the ends and apex.
Fine Fulani round manilla bracelet with parallel ridges over most of surface resembling a twisted metal pieces, topped with extended flat boss/knob in center.
Antique thick metal manilla, smooth rounded outer surface with deeply etched and stamped traditional designs of triangles, horizontal bands, circles, facets and groves, flat ends. Excellent condition with fine patina.
Found in Nigeria, this large C-shaped beautiful antique manilla has rounded smooth surface with fine etched linear design, circles, swirls, stipples, and V-shapes. Fine aged patina, comes with wood and metal stand.
Antique finely-crafted, heavy and massive antique horseshoe-shaped currency bracelet, elaborately designed with intertwined twisted strands, 11 faceted ends incised with circle and diamond designs.
This Hindu prayer bell was likely placed on a home or temple altar and used in daily puja rituals. It has a smooth and undecorated body with only incised parallel rings circling plain surfaces and is topped by a Garuda pair sheltered by Naga hoods. Garuda, Vishnu’s mythical winged bird mount, and Naga, a seven-headed hooded serpent, are natural enemies but when they are represented together, they symbolizes peace, a very appropriate adornment for the tranquility and serenity elicited by the pleasing sounds of a prayer bell.
Graceful peacock oil lamp for Hindu ritual home altar prayers signifying purity, virtuosity, goodness, good luck. Large peacock is reservoir for oil, smaller peacock the lamp’s lid. Peacocks symbolize love, joy, peace and harmony.
This antique manilla is made by the Kota in the northeastern region of Gabon and Congo. A thin wide C-shaped bracelet with an elaborate five section design, each section has unique designs with long striations, grooved crosshatches, long triangles and angled designs. In very good condition with minor losses, pitting and scratches, its rough surface inside is consistent with its age and use and comes with a wood and metal stand.
A kumkum container, also known as a sindor box is a small decorative holder for kumkum powder, a red or orange-red powder traditionally used in Hindu rituals and ceremonies. This container is brass with a foot with lotus leaves on the sides and floral patterns on the bottom and a decorative rim on the cup. These boxes are part of daily prayers (puja), festivals, weddings, and other auspicious occasions. The powder is used to apply a bindi – a forehead dot decoration associated with the third eye, representing wisdom and insight. While traditionally worn by women, and often signifying marriage, bindis are increasingly worn by men as well.
Antique bronze kumkum container use to hold tika power applied to women’s forehead during puja to preserve spiritual energy. andhold is as part of Hindu puja used for Hindu social and religious markings. Kumkum is dried and made into a paste combined with small amounts of slaked lime sometimes embellished with a few grains of rice that turns the turmeric reddish and is used to apply a tikka – a small dot applied on the forehead between the eyebrows. This spot is said to be the focal point of wisdom and concentration and is where the spiritual third eye is centered. Hindu’s believe this is the sixth of the body’s seven chakras or energy vortexes where an energy channel opens humans up to the spiritual and the divine. The tikka is said to prevent energy loss, preserve spiritual energy, and enhance concentration. Hindu religious gatherings and puja begin with the application of a tikka. Women from certain Hindu sects wear a tikka as a sign they are married,
Pair of bronze palanquin rings to transport Khmer Empire royalty and elite decorated with a lotus motif found in Lopburi, Thailand, the western most Khmer outpost.
Heavy antique exquisite C-shaped Senufo manilla, divided into ornate sections, deeply carved, pairs of raised round metal pieces. Fine patina with wood and metal stand.
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