Showing 193–204 of 226 results
The religion of the ethnic Dayak (Dyak) people of Kalimantan (Borneo), Indonesia is a mix of animism, shamanism and ancestor worship. Their word hudoq describes three different things: it describes the pests that can destroy the rice harvest on which their survival depends; the name of the huge yearly Dyak planting celebration and the name…
This doll is a Chinese opera dancer whose costume decorated with 5-petal plum blossom on the sash symbolizing longevity and, with its 5 petals, a wish for the Five Blessings or Happinesses: prosperity, long life, health, living a virtuous life and dying a natural death.
This charmingChinese Nuo Opera dancer wears a costume decorated with 5-petal plum blossoms symbolizing longevity and a wish for the Five Blessings or Happinesses: prosperity, long life, health, living a virtuous life and dying a natural death.
Burmese heddle-pulleys are decorated with carvings of mythical or auspicious animals to provide protection and assure good quality weaving. A powerful ferocious Burmese Lion with open roaring mouth and thick main sits atop the pulley highlighting the area below where the weaving thread travels around the bobbin between the wood triangle pieces holding it. A fine folk art teak carving in excellent condition mounted on a a black wood base.
This hand made Hmong “spirit lock” pendant amulet necklace was made with high-grade silver, worn as a protective talisman to “lock in” protective spirits. This trapezoid-shaped pendant is engraved with traditional Hmong motifs – dots, triangles, curved and lines within geometric sections, centered with two 4-leaf flowers and topped by spirals that may represent elephant trunks or coiled snakes. Talismans like this are worn as protective amulets soon after birth.
Ibeji carvings from Nigeria are idealized folk art conforming to Yoruba artistic and cultural conventions without closely reflecting human likenesses. Symmetrical and restrained with oversized elongated heads where one’s spirit, intelligence and the seat of divine power lie, they often have detailed linear coiffures that can be a third or more of the figure’s body…
Javanese Wayang (puppet theater) Topeng (literally “pressed against the face” or mask) is a very refined dance form accompanied by gamelan music. In Bali Topeng tua is the charming dance of an old courtier’s fragile movements, his lack of control and his gathering energy for a short lively dance. He sits behind a cloth curtain,…
This ethnic and folk-art Bali legendary court minister (topeng patih) is performed in a special mask dance named Topeng Panjegan, as only one dancer interprets five different characters wearing full face masks preventing speech. Patih manis (Sweet Minister) is often the first solo dance after a gamelan orchestra introduction, and this patih keras (strong minister)…
Originally mounted on the wood stick between his legs and now inserted to its acrylic stand, this vintage male doll is an attendant offering a huge peach. His large oval head is almost bald and his black hair remains only in a small patches on the sides of his head. He wears a typical colorful folk-art Chinese dance costume: bright red shoes, yellow pants, a greenish-blue coat with florals, a high sequined yellow belt, and a wide blue sash outlined with silver and gold thread and colored 5-petal silver sequin plum blossoms hanging down to the base evoking a wish for the Five Blessings or Happinesses. It is in very good condition with expected wear and minor paint losses and charming spotting on the face.
All ethnic mask (topeng) dances in Bali are accompanied with music from a gamelan percussion orchestra as are dramas and other entertainments considered as offerings to honor, please and attract the favor of the gods and ancestral spirits. In the west dancers put on masks to pretend they are someone else. Balinese dancers become the…
Wearing a full mask of an ideal high-born Hindu king (dalem), dancers from Bali perform folk-art and ethnic-art dances without speech using only body language, gestures and movements to depict the mask’s character. Made from light and color-enhancing, easy to carve and durable pulai wood, Balinese-masks (topeng) honor and attract the favor of gods and…
There are two traditional Balinese masks of the king’s prime minister (topeng patih). Both are refined, well-bred warriors from the second caste holding a prestigious position, and, like all dance masks, they are accompanied by a gamelan. This mask is a patih keras (strong minister) which is usually red or orange symbolizing a tough, intense…
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