Antique Taoist Priest on a Horse, China (16085BCK) $795

Description

This fine antique-Chinese-wood-carving was probably placed in a clan shrine or home altar with other religious images, ancestor figures or folk heroes reflecting the Chinese  syncretic tradition of adhered to multiple spiritual and belief systems. Although it is difficult to identify specific figures  this image is likely a Taoist priest in officials attire astride a lively horse. Taoist priests and masters, viewed as models of morality protecting devotees by casting out demonic or malevolent spirits, were often depicted on horses, which may reflect the belief that the Way of the Tao stresses harmony and oneness with nature and the elegance of nature personified by horses. The priest’s pendulous ears reflect his wisdom and enlightenment. He wears a two-part robe crossed at the neck and held at the waist by a disk and a winged cap with lateral extensions with a barely discernible carving of a taotie, one of the ancient mythical animals sometimes depicted on hats to warn against greed and gluttony and to protect against bad spirits. He raises his hand with two fingers up in the Taoist Sword Gesture (prana mudra) that Stephen Little (p. 192) calls  “a beneficial ritual gesture, ” symbolizing the energetic link of heaven and earth, an idea consistent with the Taoist belief of uniting natural energies. Also known as the Sword Gesture it is used to cast spells, offer blessings, and sanctify and empower Taoist talismans. Some of the robe’s original lacquer with red and black pigment has flaked or naturally darkened from incense and candle smoke. There are some losses to the base but it is in very good condition for its age and use. The back cavity indicates it was consecrated in an eye opening ceremony. This statue is part of the VA Deities and Legends Collection.

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Sources

Terese Tse Bartholomew, Hidden Meanings in Chinese Art,  San Francisco, Asian Art Museum of San Francisco, 2006.

Stephen Little, Taoism and the Arts of China, Berkeley, University of California Press, 2000.

Po Sung-Nien and David Johnson, Domesticated Deities and Auspicious Emblems: The Iconography of Everyday Life in Village China, Chinese Popular Culture Project, 1992.

Dr. Thomas Ritter, he Tao of Horsemanship – Chapter One.

Patricia Bjaaland Welch, Chinese Art: A Guide to Motifs and Visual Iconography, North Clarendon, Vt., Tuttle Publishing, 2008.