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The shape of this elegant carinated ancient earthenware pouring vessel used to hold and dispense potable liquids: water, wine and other drinks. They were used to hydrate everyone including laborers, field workers, ship-rowers, army personnel and people in their homes and were placed wherever they were needed.
This Roman ceramic flagon is a uniquely shaped vessel used to store and pour potable liquids. A crème slip carinated jug with a high profile and a trefoil pouring spout, it has a strap handle attached from the carinated edge to just below the rim for easy handling.
Made in the Roman North Africa, this ancient ceramic flagon was made for the lower classes and called coarse wear. Used to hydrate all kinds of people and on home altars to make offerings to domestic family deities, it is a common ancient pottery shape having a handle and an angled edge around the entire vessel.
A fine ancient Roman platter produced for upper classes from the mid-1st century to the 7th century, this is refined and delicate and has stamped decorative images in complex circles. Although rough areas with small losses remain, it is an ancient piece otherwise in very good condition that, especially considering its age and use, remains a remarkable surviving piece of history.
To pay homage and respect to one’s ancestors, Chinese rural families commissioned images to honor and protect family members, and in some instances, their domestic and farm animals as seen in this exceptional, fine and rare carving. Intricately carved from one piece of wood, it depicts a Taoist official holding a hu tablet on top above the “Spring Ox” accompanied by the “Herd Box”, who together perform an ancient agricultural rituals at the end of each winter to wake the earth up so that spring can arrive.
This very finely carved figure of an ancestor was commissioned by a family of either high status or wealth, having been carved from a single piece of an exquisite and rare hardwood with a lustrous patina. The removable head, which is fairly unique, is individualized with a round face, bald head, and oversized ears and markings to delineate his advanced age, a respected characteristic in 19th-century Chinese society. There is no indication of his status, however, as his robes are simple and he wears no hat indicating that he is not an official. He sat on a detached chair which is now missing and we are in the process of having one made for it . The exquisite carving in beautiful dense wood and patina make this a wonderful and distinctive piece in excellent condition with cracks and minor surface losses consistent with age and use.
This well-carved figure represents an attendant that would have been on a home altar to accompany a Taoist figure. Standing on a tall pedestal with a slight smile and downcast eyes, he reaches across his chest to present a rounded box secured with a ribbon. He wears an official’s hat and boots, open waistcoat over an undergarment secured at the waist. The pointed inner panel of his lower garment has slightly flaring panels with incised carved decorations. He is in very good condition with remains of the original lacquer and gilt which have naturally darkened from age and. from years of incense, age and use.
This charming carved and lacquered multi-use box opens from the top and has a side drawer with a metal pull. It decorated with auspicious carved symbols as wishes for a good, healthy, prosperous and long life Carved fu lion heads with flowing manes adorn the front and plum blossoms and a fan adorn the front and frame. Painted calligraphic poetic phrases refer to a wish for many sons. It probably was a wedding gift to newly weds and would still be great for that purpose.
This is plain but attractive antique welded Indian iron pot is covered with a nice antique rust color patina and its clear lines indicate where each metal piece was joined in its construction. Generally formed in an egg shape with a rounded bottom for easy pouring, it has a tactile charm and character that would add to any kind of décor.
This ancestor figure, carved in boxwood the preferred wood softwood during the Qing Dynasty, is portrayed in the characteristic pose of a Chinese civilian official, grasping his official’s belt with his right hand to demonstrate his important stature – which was really not so important for this gentleman, given his humble seating furniture and his modest attire. His right hand rests on the his knee as he sits erect on a thick low-back pedestal. Unlike many officials who are serious, this one is more approachable, with simple deeply carved smiling features, high arching brows and a black painted mustache and beard.
This delicately carved and elaborate document holder was designed to be mounted on a wall held up by its back panel with sumptuously carved floral cutouts and graceful curvilinear embellishments. It was clearly intended as a wedding gift as it is embellished with a huge assortment of auspicious symbols for newly weds, with wishes for wealth, glory, harmony, unity, fertility, the birth of sons, longevity among others. The scalloped carrier section is covered with with black, red and gilt designs and poems by the very famous Song Dynasty poet Su Shi. This would be a wonderful, unique, and appropriate wedding gift to send the bride and groom off with the best possible wishes.
This vibrant and finely carved wood statue is the old good-natured Earth God Tudi Gong once found in most rural communities throughout China. He is a kind and benevolent god as seen by his good natured features, believed to live in and help residents of small villages, especially for issues relating to agriculture or wealth. As an administrator he sits on a horseshoe chair wearing officials clothes and carries a tael, a gold bar that symbolizes a wish for wealth. With his sweet and unpretentious demeanor, he looks like someone you just like to hang out with. Once in every village and most homes, these charming images have, like all Taoist deity images, become scarce.
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