Showing 13–24 of 45 results
Finely carved Nanhai Guanyin on base of three lotuses, elaborate scalloped crown centered by the Amitabha Buddha of Infinite light surrounding lines of his radiating aura.. This serene elegant carving perfect to enhance any meditative space.
By making the Queen Mother larger than her horse and adorning it with decorative accessories – wide blanket, prominent head gear, double rowed harness, decorative medallion – this provincial artist emphasizes her power as Tao goddess of life, fertility and granting immortality.
Extremely rare provincial carving with a Taoist official on top above the legendary “Spring Ox,” accompanied by the Taoist Earth God “Herd Boy” who each spring ritually “wakes up the earth” by symbolically beating the Spring Ox with sticks.
This carving of the noted historical figure Dorgon, the principal regent of the first Qing Emperor Shunzhi who ruled from 1643-1650 as a”quasi” emperor based on the four-character inscription “Southern Holy Emperor” holding a hu tablet. A great piece for history buffs.
Antique Xiwangmu puppet head with 3 phoenixes in crown, traditional Qing head ware worn by the Empress for official occasions, ceremonies. Acrylic stand.
Rare magnificent Nanhai Guanyin on Mount Putuo seated as a triad with acolytes Shan Tsai hands in prayer and the Dragon Princess offering the “illuminating pearl.” Consecrated by a Buddhist monk and mounted on an Acrylic base is one of our favorite VA collection carvings.
Finely carved Kui Xing the Taoist folk deity of examinations and academic advancement, who was worshipped by scholars and students standing the Ao – a mythical dragon-carp. The image is an auspicious symbol for scholars to achieve top honors and traditionally has been proudly displayed on scholars’ and academics’ desks.
Rare single image of Kitchen God and wife, indicating their close/lasting relationship as family’s protectors. Detailed elaborate officials’ robes, headgear. Individually portrayed holding hu tablets like those held by high court officials or Taoist priests.
Wonderfully carved Nanhai Guanyin with ornate and beautiful diadem centered by elaborately framed Buddha Amitabha in meditation. Vibrant aura radiates spirituality, opulence, serenity and strength, as well as compassion and grace, making this a truly masterful piece of art.
Apple green glazed teapot typical of Shiwan kiln pottery known for its brilliant flambé glazes in the 18-19th century. Hexagonal shape with yoked rounded handle with spiral decorations that adds a decorative touch.
Taoist priest wearing a winged hat with a taotie warning against excess, and hands in the Sword Gesture used to cast out evil and offer blessings. Often on horses, priests were models of morality reflecting the Way of the Tao stressing harmony and oneness with nature.
Rare mask used in Noh Opera performances depicting Zhīxiàn – a popular figure of a wise, benevolent judge who resolved local disputes and was likely used in rituals to ask the gods for blessings, health, and long life. Signs of authentic wear from dance theater performances.
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