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This pottery Judean juglet was made during the Biblical Period in the Holy Land (Levant) and used to hold perfume or other costly items. Its upper body tapers inward to a narrow neck to limit its pouring rate and conserve its costly contents. Covered with slip to lessen leakage and improve their appearance, these were used throughout the Roman-Empire.
An amphora is Greek jar with a single or double handles made in a variety of sizes and copied by all ancient Mediterranean trading nations. This amphoriskos, literally a “small amphora,” has a stunning profile and one handle but is top heavy and cannot stand without support. It dates from the time of the Holy Land during the first Jewish Biblical Period in Judea circa the 8th to 6th century BCE, a ancient time from which few pieces survive intact.
This small juglet has a globular body, a round base, a very short neck, a wide mouth and short handles on each side. Like many other small Second Temple Period (circa 597-300BCE) pieces it is a functional item covered with a black slip and burnished. Small juglets like this “…were finished to a higher quality and were used for cosmetics and scented oils [and perfumes and ointments].” (Frank) This piece is intact, in good condition and a genuine piece from ancient history. There are two chips on the mouth rim, body dents, and burnish losses, all expected for its age and longer than two millennia old burial.
Source
Tom Frank, “Imagining the Past: Archeology and the Bible: a juglet to anoint,” September, 2014.
This ancient hand made ancient pottery juglet from biblical Judea has a globular body, a round base and a short neck flaring into a triangular mouth and its circular handle runs from its mouth to the shoulder.
In early culture to cast objects in bronze, Luristan artists made sophisticated and imaginative bronzes prized in the ancient world for their inventive designs and fine craftsmanship. They depicted local animals wherever they were, as a long horned goat like this was hunted and a major source of food for survival. This finely made standing figurine has a surprisingly detailed shaped head with long antlers, tall thin legs, large eyes and a slightly curved body and is mounted on a Lucite base.
This figure is Harpocrates the Greek god of silence, confidentiality and secrets holding a jar and was made using a bivalve-mould. The iconography hints at a royal and temple cult, as he wears a double crown symbolizing both Upper and Lower Egypt. A royal emblem showing an association with the contemporary king, in Egypt royals with crowns were a manifestation of the Egyptian god Horus. Small white specks are all that remains of the slip and colorful paints covering it. Missing part of his right side when excavated, there are no repairs and it is mounted on a stand. Given its age, the image is in good condition with normal scrapes and cracks found in pieces of this age.
This pottery Judean juglet was made during the Biblical Period in the Holy Land and used to hold perfume or other costly items. Its upper body tapers inward to a narrow neck to limit its pouring rate and conserve its contents. Covered with slip to lessen leakage and improve their appearance, these were used throughout the Roman Empire.
This Biblical Period earthenware wine jug is rare because of its difficult chances of survival over such a long time period. Made in the Judea Holy Land, it has a tall globular body and a downward sloped shoulder that join together in a distinctive carinated edge running around its top.
This Roman Egyptian figurine from Alexandria of a woman holding a young child is a Kourotrophos, a class of god and goddess figures holding infants or children. Referred to as child nurturers, these were revered deities, cult figures and mortals who were also fertility symbols and protectors of the young. Mother and child figures like this are universal and appear known in disparate cultures throughout the world.
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