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A potlatch means “to give away” or “a gift” and is a traditional feast central to many cultures of indigenous peoples of the Canadian Pacific Northwest Coast including the Haida tribe who have existed for over 17,000 years and currently inhabit Northern British Columbia, Pacific Northwest United States, and Southeast Alaska. Its main purpose is…
Most jauk keras (strong, scary) masks of a giant are often red or orange to reinforce a volatile dance with jerky movements. This jauk manis (good, sweet) mask dance is a more controlled, regulated and enacted with more calm and human movements. Personally collected in Bali in the 1970s, it is in excellent condition with expected minor scratches and paint losses.
This mid 20th century Buddha Shakyamuni in Earth Witnessing position is carved in rural Lao style. Covered with gilt, the small rustic and simply carved image follows Lao artistic canons for depicting a Buddha: a curved hairline and high arched eyebrows that meet at the bridge of the nose, distinct hair curls, long ears, and a flame-shaped radiance emerging from his ushnisha. Its very large base is as tall and wide as the image, reflecting Laotian beliefs that a high pedestal reflects a deep respect for the Buddha. A base has been added for display purposes. Authentic old Lao images, even small personal ones like this, are difficult to find.
Influenced by Islam for centuries, Javanese theater in Indonesia is stylized, didactic and full of central characters said to be cultural and historic icons of morality. Mask drama theater (Topeng Wayang) in Java is dominated by the conservative central Javanese palace courts (kraton) of Surakarta, Solo and Jogjakarta (Yogyakarta) which have long supported mask makers,…
After the Qing dynasty fell in 1912 and was replaced with the Chinese Republic, porcelain production declined in imperial kilns but was revived in Southern China’s Jiangxi Province which made high-quality finely designed Chinese-Republic porcelains in private kilns. With few restraints, they produced more colorful pieces with unique Western shapes and styles. These late Qing,…
The Song dynasty (960–1279) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion during this dynasty produced government, public and religious buildings and tombs with walls decorated with earthenware unglazed mold-made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in the deceased’s afterlife called…
The Song dynasty (960–1279) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion during this dynasty produced government, public and religious buildings and tombs with walls decorated with earthenware unglazed mold-made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in the deceased’s afterlife…
The Song dynasty (960–1279) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion during this dynasty produced government, public and religious buildings and tombs with walls decorated with earthenware unglazed mold-made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in the deceased’s afterlife…
Chinese funerary tiles, as forms of mingqi adorned tomb as early as the Han dynasty depicting everyday scenes, entertainment, mythical beasts, folklore, history, literature and poetry. A Han stone tomb relief rubbing in Stories from China’s Past (p. 173) labeled “Ascending to Heaven in Deer Chariot” is reflective of this Song brick-tile. During the Song…
During the Song dynasty, mold made unglazed earthenware brick tiles decorated the doors and walls of the government, private religious buildings as well as the doors and tomb walls of the rich used as funerary decorations (mingqi) to wish the deceased happiness and comfort in their afterlife. This thin brick presents two images. The figure…
This doll of a Chinese official as part of a Chinese opera has a unique gold and silver thread stitched and sequined design circling a series of triangular mountains topped by only traditionally shaped clouds, generally not on an official’s robe. In many cultures, dolls were used as children’s entertainment and as didactic tools to…
This rare vintage carving was likely made for home shrine or small rice field temple dedicated to Dewi Sri, the Balinese Goddess of Rice. Likely part of a larger decorative scheme, she is presented as a beautiful young woman wearing an elaborate headdress and a rich garment with arm and wristbands and an intricate neck…
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