Showing 25–36 of 249 results
This is an excellent example of an earthenware carinated flagon made in a Roman-Empire ceramic production center in the Roman-North-Africa territory called Africa-Proconsularis. The word flagon is derived from the Greek word for flask and is a larger, taller variant of a Greek flask used for oils (lagynos). Wheel made for the lower classes, undecorated…
This kiln-fired medium size earthenware platter is a wheel made functional piece called African Red Slip (ARS). A category of ancient pottery used by those of high status for formal occasions to serve food, it was made in Roman-Empire production centers in the Roman-North-Africa province called Africa-Proconsularis. They were shipped everywhere along the same trade…
This ancient wheel-thrown pottery was made in the Greek colonies, Apulia, Magna Graecia in Southeastern Italy and dates from the 4th century B.C.E. Magna Graecia is the Roman name for coastal Southern Italy colonized by Greek city-states and first named by the Roman poet Ovid in his poem Fasti. These settlers brought their Hellenic culture,…
This extremely rare late Ming/early Qing dynasty antique-Chinese-wood-carving carving is divided in two parts and is significant for its juxtaposition of images as well as its unique iconography. The top is one of the Taoist officials in typical officials-attire: an official’s hat, a tiered robe with a red sash extending to the tops of the…
Over the centuries, worship of Buddhist and Taoist deities, ancestor figures, official imperial images, and “popular gods” has been an intricate part of the fabric of Chinese life. This image was not placed on a home altar as it was not consecrated. The intricacy, fineness, selection of materials, and overall quality of the images was…
This sweet diminutive antique-Chinese-wood-carving of an enlightened Buddhist attendant on a double lotus base that was commissioned by the proud father to celebrate and bless a marriage as indicated by the inscription on the rear 陈门李氏双全 that indicates that it belonged to the Lee family. Although its meaning is not entirely clear, it appears to…
Attendants like this often accompanied Taoist figures on home altars, along with other deities and spiritual images. They frequently presented offerings to them which, when tied with ribbons, symbolized “ longevity for generations”. This 18-19th century carving may have accompanied a significant deity as the statue was covered in gilt and lacquer, some which has naturally darkened from age and from years of incense, age and use.
This charming miniature ewer or small pitcher was made during the Tongzhi Period 1856-1875) and used to pour soy sauce, oils or other liquids. The spout and handle are elegantly curved and thick cobalt blue designs are set on a spotted grey ground with a chrysanthemum on each side and abstract plantain curved vertical leaf…
Chrysanthemum and bindweed decorative motifs are often used deigns on surfaces of underglaze cobalt blue and white porcelains, were especially popular in the 1860s – 1880s during the Tongzhi period and appear on both domestic and export ceramic pieces. Since bindweed grows wrapped around pine trees, it is a symbol of the close attachments formed…
Scenes with landscapes, distant mountains, bodies of water and architectural structures in nature are common subjects in the Chinese aesthetic and closely related to the scholar’s beliefs and their way of life that includes Four Scholarly Pursuits (siyi) and Four Treasures of the Scholar’s Studio. The three main Chinese belief systems of Taoism, Confucianism and…
Nandi is among the most frequent Hindu deities worshiped in public places, temples, homes, or on a home altar throughout India. As one of Hinduism’s mythical animals, Nandi is Shiva’s vahana, (his mount that transports him), attendant and leader of his attendants and guardian of all four-footed animals. A recumbent image of Nandi on a…
This antique brocaded bible or document holder from Bolivia is decorated with symbolic stylized flowers widely used in Christianity: passion flowers and roses. Nicolas Monardes, a 16th century Spanish doctor was one of the first Europeans to see a passion flower which is native to South America, who found 22 species and brought them back…
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