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As a syncretic Taoist deity, the Queen Mother of the West has a huge cult following among Taoist, Buddhist and folk religion devotees revered for her powers to control life and death and to determine the life span of all living beings. Irvin calls her one of the Great Chinese Goddesses who are all imperially…
This fine pair of the Kitchen God and his wife are mirror-images of each other seated on backless chairs with multi-sided pedestals and reflect the reverence and solemnity of their responsibility to live above the stove and protect the home. The original lacquer has darkened naturally over time and from exposure to candle and incense smoke leaving a soft patina. The cavity on the male has its original covering while the one on the female is missing, exposing contents inside – a string tied around the script placed by a monk when it was consecrated. Kitchen Gods radiate warmth, especially when placed near the stove and make unique house warming or wedding gifts and add positive chi to any household.
Finely detailed and carved from dense wood, this Kitchen God and his Wife monitor the members of the home from their perch above the stove. On Chinese New Year Zao Shen reports to the Jade Emperor in Heaven and a positive report bringsblessings and good fortune, while and unfavorable one brings misfortune. Family members often smear honey on his mouth to sweeten the report. Near mirror images they wear layered gold officials’ robes with decorative sashes and symbolically hold a hu tablet. They are in excellent condition and add positive chi and enhance feng shui. Kitchen Gods especially pairs are now rare and very collectible and make unique wedding and house gifts.
This husband and wife Kitchen Gods are near mirror images with similar layered gold officials’ robes clasped hands covered in ritual cloth. They portray house gods whose future of families are in their hands. They are in excellent condition with fine patinas and both have been consecrated with the consecration script remaining in the wife’s cavity but not in the male’s cavity.
This antique manilla is made by the Kota in the northeastern region of Gabon and Congo. A thin wide C-shaped bracelet with an elaborate five section design, each section has unique designs with long striations, grooved crosshatches, long triangles and angled designs. In very good condition with minor losses, pitting and scratches, its rough surface inside is consistent with its age and use and comes with a wood and metal stand.
A kumkum container is as part of Hindu puja used for Hindu social and religious markings. Kumkum is dried and made into a paste combined with small amounts of slaked lime sometimes embellished with a few grains of rice that turns the turmeric reddish and is used to apply a tikka – a small dot…
Each of this whimsical gold and red-burgundy lacquered pair of male fu lions sits erect on a high pedestal heads thrown back with flaring ears, bulging eyes, decorative stylized manes and a small bushy tail. Their spirituality is displayed by the pair silently emitting the blessed mantra “aum”: the open mouthed lion forming an “au,” and the other completing it with a closed mouth to form “mmm.” The workmanship on these pieces is masterful, although rustic and provincial, and they are rare with their Buddhist symbolism and because most pairs of fu lions pairs were lost during China’s modernization.
Whimsical carvings of fu lions were the most popular mythical animals in Chinese homes, especially during the Ming and Qing dynasties, as free standing statues, designs on furniture, architectural elements and functional pieces in private homes or gardens or on a home altar to bring fu and the blessings to the home. This incredibly cute…
Early Chinese Mahayana images portrayed Lohans as followers of the Buddha, living in the human world in human forms .Through their spirituality and asceticism they achieved enlightenment and were no longer subject to rebirths but choose to not enter nirvana and remain as guardians to preserve Buddhist teachings, protect the Buddhist faith and lead others…
This brass oil lamp diya is decorated with an image on front and back of Lakshmi seated on a lotus, full-breasted and broad hipped, beneficently smiling and being lustrated (showered by water) by elephants, symbolizing rain clouds bringing water and life to the land and that unwavering effort to adhere to spiritual teachings and governed by wisdom and purity leads to both material and spiritual prosperity.
Produced in Thai kilns in the 14th to 15th centuries, Sawankhalok glazed stoneware lidded bowls were distributed through Southeast Asia along with a variety of larger and smaller items. Lidded bowls like this were used to store many things, especially spices, powders and cosmetics, betel nut chewing materials, and medicine. This bowl rests on a thick foot, has a lid with a radiating glazed petals surrounding an olive-brown glazed lotus bud handle. The cover’s side has a band of pointed star points and the body is covered with an intricate scroll of white glazed colored branches and florals.
Finely carved figures were attached to ox cart yokes to protect farmers from malevolent spirits who inhabited all seen/unseen sectors of their world. . This beautifully carved ox cart yolk image is a chinthe, a mythical Burmese lion/dragon creature commonly decorating many everyday items. A propitious spiritual and protective guardian, the animalsymbolizes power, courage, and strength. This carving displays the common traits of a lions with a long face, large eyes, a long sharp nose, a lion-like beard, and a flame-like shape on the top of his head. Masterfully carved with careful attention to details, see the deeply incised hairs that cover his body. The 2-part piece is held together with a wooden plug. Though for daily use, Burmese craftsmen created beautiful objects and finished them with the best materials they could afford.
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