Many of our antique items are mounted on frosted Acrylic bases. Also known as Plexiglass, Acrylic is a transparent plastic material similar to glass that is much lighter and stronger. These modern, uniquely fashioned stands are tailored to each piece by cutting the material to an optimal size and hand sanding it. This more labor intensive process results in a modern opaque acrylic in a frosted white color making each piece extremely well suited for display in modern contemporary interiors.
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Shakyamuni Buddha was born Prince Siddhartha Gautama in 560 BCE in Lumbini Park in the Himalayan foothills, son of king Śuddhodana Gautama of the Shakya clan and Queen Maya. Buddhist scriptures state his conception and birth were miraculous and that he was born fully formed. This rural statue portrays him fully developed standing on infant…
Leigong, (Lei Gong Leikung, Leishen), is the mythological Taoist and folk religion protective “Thunder God) The Chinese character Lei (雷) means “thunder.” An official of the Jade Emperor’s imperial court, Leigong was given responsibility for watching for injustices on Earth. He was ordered to punish earthly beings and wicked spirits who commit secret crimes or…
Statues of attendants often appear as a pair looking inward and flanking a deity, unless they are very important ones and look straight ahead. They may carry a range of offerings. This antique Chinese woodcarving appears to be a Taoist image likely placed on a home altar along with deities, house gods and ancestors to…
Puppet theater has always vividly reflected Chinese society and culture and educated both the literate and illiterate public using with beautifully carved and attired puppets, music, drama,, eloquent language, costumes, and adornment. It also assumed a major role by performing religious rituals and honoring major historical characters and events. Using rods, strings, gloves and a…
Chinese wealth gods are ubiquitous and often appear and are venerated at home altasr, temples, and business establishments. Yang writes(p. 76) worship of wealth gods was one of the most common cult practices in China among all strata of society from the poor to the wealthy but especially by the merchant class. This resulted from…
During the Ming and Qing dynasties, artists created small scale icons of Bodhisattva Guanyin and other deities for private use on a home altar and in local temples and shrines. While more sanctioned images and those made for wealthier devotees were created in porcelain, jade, bronze and ivory, those created for Popular Folk Religion, Taoist…
The Hou (Hǒu) is the most powerful of the mythical animals in Chinese beliefs, a composite of 10 animals and revered for its ability to gather and guard money for its master, defend him from evil, and protect against bad fortune. As the mount of Guanyin, it sometimes resembles, as here, a Buddhist lion or…
This charming antique Guanyin carving sits in meditation (dhyana mudra), legs in padmasana soles of her upturned feet visible, hands in lap with thumbs lightly touching. Created by provincial artisan as a folk rather than imperial carving to be placed on a personal home altar she has softer and modest facial features and is more…
Guanyin, the most beloved deity in the Mahayana Buddhism, embodies compassion and loving-kindness and hears the cries of all beings. During the late Ming and early Qing dynasties, Guanyin statues were commissioned by provincial artisans for a home altar that were humble and more relatable to the rural devotees as in this statue where she…
Guanyin, Bodhisattva of Compassion is a Mahayana Buddhist deity and one of the three Great Chinese Goddesses in China. She sits meditation (dhyana mudra) hands in the lap and feet crossed in padmasana, also called the lotus position, with bare soles of the feet turned upward on a lotus throne atop a two-tiered footed stand….
Nanhai Guanyin of the South Seas images were especially popular during the Ming and Qing dynasties in both the imperially sanctioned and provincial rural traditions; this image reflects both traditions. Carved by a provincial artisan, she is a serene and majestic mature woman with a radiantly warm smile, rounded face and half-closed almond shaped eyes. …
This standing Guanyin reflects the Mahayana Buddhism Pure Land tradition popular during the Ming and Qing dynasties which holds the belief that Guanyin guides devotees upon their death to Amitabha Buddha’s Western Paradise where they may be reborn until ready for enlightenment. This carving is a provincial folk art representation that was placed on home…
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