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Elegant Ethiopian Latin Cross with a raised rounded cross in center. Soft edges and matted surface from wear impart feeling of grace and warmth. Made using lost-wax, it is one-of-a-kind. Chain not included.
Simple Latin cross surmounted by a raised rounded cross in the center. Although it is heavy with a distinct and massive feel, its soft edges and matted surface impart a feeling of grace and warmth. Unadorned Latin crosses are relatively rare.
This traditional African hammered iron gong is elegantly shaped like a flaring bell. Heat riveted, a forging process joining two metal pieces together, it was made by Congolese tribal people. Made with 5 parallel lines of 5 decorative round bulges on both sides, it was often held using a raffia handle and beaten using sticks covered with rubber at its end. Originally a ritual instrument, they were also beaten to call members of special restricted societies to meetings and were a symbol of wealth, prestige, and influence.
Woven from strands of raffia palm leaves, this traditional vintage bordered square Kuba cloth from the Democratic Republic of the Congo was made using vegetable dye and is embellished with sophisticated embroidered, applique and patchwork linear designs.
Woven from strands of raffia palm leaves, this traditional vintage bordered square Kuba cloth from the Democratic Republic of the Congo was made using vegetable dye and is embellished with sophisticated embroidered, applique and patchwork linear designs.
Vintage “crowns” called an ile ori the “house of the head,” were cowrie shell shrine made to show gratitude for and recognition of the power of the head and manifest Yoruba ideas of individuality and authority. Not meant to be worn they are often placed on altars for prayer and divination and can be a symbol of a Yoruba deity. This headdress with an impressive design was included in the San Francisco International Airport, “Crowning Achievements” exhibition in April-August, 1994. It comes with a Lucite stand.
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