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This delicate Mahayana Pure Land Buddhism Guanyin sits in meditation (dhyana mudra) representing concentration and peace hands in lap and legs crossed in lotus position (padmasana). Guanyin’s (Sanskrit Padmapani meaning “born of the lotus”) close association with the lotus is seen on her complex two-part throne. Resting on a footed base, the lotus throne is…
During the Ming and Qing dynasties, artists created small scale icons of Bodhisattva Guanyin and other deities for private use on a home altar and in local temples and shrines. While more sanctioned images and those made for wealthier devotees were created in porcelain, jade, bronze and ivory, those created for Popular Folk Religion, Taoist…
The Hou (Hǒu) is the most powerful of the mythical animals in Chinese beliefs, a composite of 10 animals and revered for its ability to gather and guard money for its master, defend him from evil, and protect against bad fortune. As the mount of Guanyin, it sometimes resembles, as here, a Buddhist lion or…
This charming antique Guanyin carving sits in meditation (dhyana mudra), legs in padmasana soles of her upturned feet visible, hands in lap with thumbs lightly touching. Created by provincial artisan as a folk rather than imperial carving to be placed on a personal home altar she has softer and modest facial features and is more…
Guanyin, the most beloved deity in the Mahayana Buddhism, embodies compassion and loving-kindness and hears the cries of all beings. During the late Ming and early Qing dynasties, Guanyin statues were commissioned by provincial artisans for a home altar that were humble and more relatable to the rural devotees as in this statue where she…
Guanyin, Bodhisattva of Compassion is a Mahayana Buddhist deity and one of the three Great Chinese Goddesses in China. She sits meditation (dhyana mudra) hands in the lap and feet crossed in padmasana, also called the lotus position, with bare soles of the feet turned upward on a lotus throne atop a two-tiered footed stand….
Lee Irvin calls Guanyin one of the Great Chinese Goddesses who are imperially sanctioned and epitomize the feminine role of compassionate protectors who grant health, long life and safety to all regardless of their social position. Each has large temples, monasteries and small local shrines dedicated to them. She in the lotus position (padmasana) with…
During the Ming and early Qing dynasties small wood statues of Guanyin were carved by provincial artisans to be placed on a home altar along with other Taoist, Popular Religion and Buddhist statues venerated by rural and less affluent families, especially female devotees. Made of wood, they were modest and reflected the purity of nature….
Nanhai Guanyin of the South Seas images were especially popular during the Ming and Qing dynasties in both the imperially sanctioned and provincial rural traditions; this image reflects both traditions. Carved by a provincial artisan, she is a serene and majestic mature woman with a radiantly warm smile, rounded face and half-closed almond shaped eyes. …
This standing Guanyin reflects the Mahayana Buddhism Pure Land tradition popular during the Ming and Qing dynasties which holds the belief that Guanyin guides devotees upon their death to Amitabha Buddha’s Western Paradise where they may be reborn until ready for enlightenment. This carving is a provincial folk art representation that was placed on home…
Mazu is the Goddess of the Sea who protects seafaring populations and coastal populations and a tutelary deity venerated as the “Protector of the Sea.” A syncretic deity, she embraced by all Chinese peoples, in written traditions of the imperial Chinese hierarchy who officially deified her and built sanctioned monuments and temples to her since…
After her death at age 28, Mazu was immortalized as a cult figure and worshipped as a one of the tutelary Taoist deities as “the Protector at Sea” among seafarers in coastal China and was worshipped especially by older women. In oral legends, she was the daughter of a Buddhist fisherman, revered for her filial…
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