Buddhists have used images of enlightened beings including Buddhas, Guanyin, Bodhisattvas, Lohans, and monks for nearly two millennia to show devotees how Truth can be found within oneself through meditation and spiritual training. Statues of the Buddha and other enlightened beings are placed in temples, monasteries or home shrines as a reminder of the spiritual potential inherent within all of us to awaken to the Truth as the Buddha, a fellow human being, did. When one pays reverence to Buddhist images, they are not worshipping the image, rather the image reminds them of the great compassion of the Enlightened Ones who have taught them the way to liberation.
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The original 16 or18 arhats in Theravada Buddhism, later called Lohans in Mahayana Buddhism, were the original disciples of Gautama Buddha. Able to attain enlightenment and enter nirvana, instead they remained on earth to aid Buddhist devotees to reach nirvana. Buddhist temples are often lined with 18 lohan but there may be many more. Never…
Of Guanyin’s 33 manifestations, Songzi Guanyin (Bestower of Children or Child-giving) was one of the most favored during the Ming and Qing dynasties when small images were placed on a home altar for veneration by families desirous of having a male child to carry on the family legacy. Songzi Guanyin is a syncretic goddess, embraced…
This small antique carving is Nanhai Guanyin (Guanyin of the Southern Seas) who became a syncretic cult figure during the late Ming and Qing dynasties in rural provincial regions, especially Southern China. She is worshiped in Mahayana Pure Land Buddhism, Taoism and Popular Religion. The local artisan took liberties in the iconography, portrayal and attributes…
As one of the most popular Mahayana Pure Land images, especially during the Ming and Qing dynasties, this antique Chinese wood carving of Nanhai Guanyin of the Southern Seas is seated on a symbolic craggy rock outcrop below an arch of draped moss (some of which is missing ) at the entrance to the Tidal…
This Nanhai Guanyin sits in her cave home on the island of Putuo represented by pierced openwork, craggy surfaces and open area at the cave top. Guanyin’s image almost fills the cave’s opening seated in dhyana (meditation), thumbs forming a triangle symbolizing the triratna, the Three Gems of Buddhism (the Buddha, the Dharma (Buddha’s teachings)…
Nanhai-Guanyin seated in meditation (dhyana mudra) in her Tidal Cave on Putuo is one of the most popular Mahayana Pure Land Guanyin images, especially during the Ming and Qing dynasties, and strongly reflects the Chinese syncretic blending of religious beliefs. Provincial craftsmen portrayed her in to reflect local beliefs, lifestyles and customs that resonated with…
During the Ming and Qing dynasties small pairs of fu lions were very popular for use in private homes and outside as protective figures or in gardens. In the Buddhist tradition, they were portrayed as more friendly than fierce with their open mouths displaying sharp teeth but in a fanciful pose. They are a reminder that…
Lohans are the only enlightened Buddhist beings that were allowed to be portrayed realistically rather than as idealized representations. This beautifully crafted antique and very rare large image looks like a portrait of a real person with very individual, distinctive, and un-idealized features. His eyebrows curve above a wide triangular nose with well pronounced cheekbones,…
This exceptional carving is form of Nanhai Guanyin which means Guanyin of the Southern Seas, one her most portrayed of her 33 manifestations during the Ming and early Qing dynasties. Her pedestal with hanging foliage and base in the form of stones indicates she is seated on her rocky outcrop on Putuo island in the…
Guanyin means “she who observes the sounds or cries of the world” and in Sanskrit she is named Padmapani or “born of the lotus.” She is one of the Three Great Chinese Goddesses (Irwin). During the Late Ming and Qing Dynasties in rural provincial regions and especially Southern China, Guanyin became a syncretic cult figure…
During the Ming and Qing Dynasties, the cult of Songzi (“Child Giving”) Guanyin, the Buddhist bodhisattva of compassion, became one of the most popular religious movements especially among Popular Religion and Taoist female and male devotees. It reached all Chinese regions and social strata and included the upper classes, court figures and the literati as…
Chinese stone weights have been used for millennia as measurement that were standardized with each dynasty. There were also local applications as a non-standardized weight, securing a picnic cloth, keeping a scholar’s calligraphy paper immobile and as a garden accessory. These antique Chinese stone carvings were often auspicious shapes like animals, fruit, and vegetation. During…
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