Showing 1–12 of 20 results
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$175.00
Chrysanthemum and bindweed decorative motifs are often used deigns on surfaces of underglaze cobalt blue and white porcelains, were especially popular in the 1860s – 1880s during the Tongzhi period and appear on both domestic and export ceramic pieces. Since bindweed grows wrapped around pine trees, it is a symbol of the close attachments formed…
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$85.00
Smoking tobacco in Burma/Myanmar and Thailand has been an integral part of Southeast Asian cultures for centuries and are usually found underground by hill-tribe farmers when ploughing their fields in Northern Thailand and Burma. They usually have small chips on the bowl, body and stem and are otherwise very good condition. The bowl often has…
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$185.00
Shiwan stoneware wall pockets were used to hold functional items like flowers and chopsticks and were in most Chinese homes by the late Qing Dynasty. Chopsticks holders were symbols for fertility and traditionally part of a dowry as the word for chopsticks (kuizi) is a pun for ‘speedy arrival of sons’ Perhaps having a two-part…
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$105.00
Smoking tobacco has been an integral part of Northern Thailand and Burma/Myanmar Hill-Tribes culture for centuries. Unglazed mould made black earthenware clay pottery pipes like this are found buried by farmers when preparing their fields. This pipe was made in two parts, a rounded bowl on a flat-footed base and an extended stem. The bowl…
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$85.00
Smoking tobacco in Burma/Myanmar and Thailand has been an integral part of Southeast Asian cultures for centuries and are usually found underground by hill-tribe farmers when ploughing their fields in Northern Thailand and Burma. They usually have small chips on the bowl, body and stem and are otherwise very good condition. The bowl often has…
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$235.00
For centuries Chinese believed ceramic pillows increased the health, vitality and comfort of the body and soothe the spirit. Their surfaces provided coolness during hot weather and were preferred over soft pillows which were believed to rob the body’s vitality and energy. Made with a variety of glazes and designs, it was believed a pillow…
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$215.00
Sawankhalok in north-central Thailand is an area with a large ceramic kiln output during the Sukhothai Kingdom (1238-1583). When Ming emperors forbade export of Chinese ceramics from 1368-1487, a period known as the Ming Gap, Thailand became a major ceramics producer and exporter to Southeast Asia, Japan and the Middle East. During the 14th and…
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$850.00
Known as Budai in China and Hotei in Japan, Budai is one of the most famous Mahayana deities, called Mi Lo Fo, the Loving or Friendly One. Known as the Laughing, Happy, or Fat Buddha in the West, he is a symbol of contentment, happiness, good luck, and plentitude. With a loving character and benevolent…
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$2,950.00
This 5-piece apple green glazed stoneware home altar set includes a central large censor flanked by rising pairs of candlestick holders and vases. These folk art ceramics were made at the Shiwan kilns in a small town near Foshan City in Guangdong Province where renowned, popular and well modeled pieces with vivid expression and colorful…
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$295.00
Sawankhalok in north-central Thailand is an area with great amounts of ceramic kiln production during the Sukhothai Kingdom (1238-1583). When Ming emperors forbade export of Chinese ceramics from 1368-1487, a period known as the Ming Gap, Thailand became a major ceramics producer and exporter to Southeast Asia, Japan and the Middle East. During the 14th…
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$385.00
Sawankhalok in north-central Thailand is an area that had a large ceramic kiln production during the Sukhothai Kingdom (1238-1583). When Ming emperors forbade export of Chinese ceramics from 1368-1487, known as the Ming Gap, Thailand became a major ceramics producer and exporter to Southeast Asia, Japan and the Middle East. During the 14th and 15th…
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