Historically deities and deified humans have played a significant role in Asia the spiritual, cultural and daily life activities. In China and India, these beings serve a significant role in human activities by monitoring individual’s activities and responding with rewards or punishment. Deities and legends are propitiated in temples and home altars and shrines with offerings to protect and aid the living. The large pantheon of Chinese major and minor deities and legendary figures have been worshiped since ancient times. Gods created the world and humans and keep everything safe and well-functioning. Gods and deified legendary humans live the heavenly realms of immortality and are actively involved with human activities from intimate moments to events of national importance. Along with ancestors, gods have been a bridge between the living and the deceased and are revered and propitiated to watch over the living. The most venerated Chinese gods are the Jade Emperor, Queen Mother of the West, the Eight Immortals, Guanyin, Matsu, and the gods of wealth, war, literature, and happiness. Although outlawed as superstition in 1949 by the Communist Party, deities and legendary figures are still worshipped in Chinese homes world wide..
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The Queen Mother of the West (Xiwangmu) is the most significant of the female Taoist deities and is viewed as having magical powers to controls life, death, creation and destruction and determines the lifespan of every living being. She lives with her husband the Jade Emperor in Kunlun Mountain where she attends her famous garden…
The Kitchen God (Zao Shen) was and still is among the most important Chinese house gods. Traditionally every family had its own Kitchen God with or without his wife above the stove to reflect his and its central position in the family’s life. The Kitchen God is both a syncretic and a tutelary deity embraced…
Zhenwu (aka Xuanwu, Wuandi and Zhenwudadi) is one of the most revered Chinese Taoist figures, venerated for his ability to heal as well as to protect his country and the emperor. There are various depictions of his attire, but here he wears a plain black robe with an official’s belt which he holds in his…
Zhenwu, the True Warrior, Perfected Warrior or Northern Emperor was one of the most popular TaoistDeities in the Ming and Qing dynasties known as protector of the state and the imperial family. His feet here rest on a pedestal over a turtle with a lifted head and a snake curled around his shell. Among the many interpretations this represent beings over whom he presided including both celestial officers under his command, [and] former demons that were conquered by him. This is a fascinating carving symbolizes trusted strength. and power.
Nandi is among the most frequent Hindu deities worshiped in public places, temples, homes, or on a home altar throughout India. As one of Hinduism’s mythical animals, Nandi is Shiva’s vahana, (his mount that transports him), attendant and leader of his attendants and guardian of all four-footed animals. A recumbent image of Nandi on a…
While major deities such as Guandi were officially sanctioned by government and religious authorities, many popular deities and historic figures were integrated into Popular Religion beliefs where they were assimilated and greatly modified with local traditions and iconographic depictions such as this. We assume this is Guandi, one of the most revered Chinese deities based…
These carvings of the Taoist-Deities Tudi Gong and his wife Tudi Po are from rural Southern China where they were frequently depicted together as house-gods on a home altar or local temple for farmers to pray to for abundant harvests and success in selling their products. Although Tudi Gong is a low ranking deity, he…
This glass painting of a peacock was one of a pair of inset panels along with Krishna Playing his Flute (3982) in a highly decorative piece inset in antique Indian cabinet or chest. Beautifully painted with reflective silver accents it is a vibrant and remarkable wall hanging. As both panels were originally displayed together, we recommend they be kept as a pair. Peacocks, the national bird of India, are an integral part of Hindu and Indian art and culture depicted in spiritual and decorative art.
This vibrant glass painting of Krishna along with the panel of a Peacock (3983MCE) were insets in a highly decorated Indian wood cabinet or chest. Krishna is one of the most popular Hindu deities, beautifully depicted here in a bright yellow dhoti, peacock feather crown, and jewels in serenading his adoring gopis with his engaging flute. The unique frame complements the painting’s richness and vintage feel.
This exceptional polychrome mask (topeng in Java, tapel in Bali) of Jatayu blends Balinese ethnic and folk-art with Hindu cultural traditions. Indonesia was part of the larger Hindu Majapahit Empire (1293-1527), is now a Muslim majority but Bali remains mostly Hindu. Balinese masks are often made from a single piece of local pulai wood whose…
This polychrome vintage Chinese Republic porcelain figurine represents the most famous and colorful of the Taoist Eight Immortals, Lu Dongbin. He holds his fly whisk at his cheek, a traditional symbol of one who can fly at will. His face has a sweet benign smile with a long beard extending to his waist. He stands on a base with green and black swirling cloud forms indicating his ability to fly. He wears the robes of a Taoist sage in richly painted colors. The figure is in excellent condition and dates to the Chinese Republic Period circa 1920-1940.
This colorful Chinese Republic porcelain is the most popular of the Eight Immortals Lu Dongbin, who symbolizes immortality and long life. Dressed as a scholar, his beard is pushed to the side as he is in motion riding waves to show his magical powers. He holds a fly whisk which, along with the sword he often carries, are personal auspicious symbols. The most colorful of the immortals, he is worshipped by for his medical prowess and by scholars in homes and temples.
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