As defined by the International Museum of Folk Art, folk art encompasses a broad range of forms – dance, song, poetry, and foods as well as art. It is handmade; traditional, reflecting shared cultural aesthetics and social issues which may change over time; and is of, by and for the people inclusive of class, status, culture, ethnicity, gender, and religion. It may be for community use or for sale as income or empowerment; learned formally, informally, or self-taught. It can be decorative or utilitarian used for daily, ritual or ceremonial purposes.
Showing 73–84 of 96 results
The culture, rituals, tribal and ethnic art of the Dayak (Dyak) of Kalimantan (Borneo), Indonesia is a mix of shamanism, animism and ancestor worship. Dyak festival masks worn on the face or large ones attached to a costume repel malicious spirits from entering communal spaces, insure village safety, protect babies in their carriers and defend…
This doll is a Chinese opera dancer whose costume decorated with 5-petal plum blossom on the sash symbolizing longevity and, with its 5 petals, a wish for the Five Blessings or Happinesses: prosperity, long life, health, living a virtuous life and dying a natural death.
This charmingChinese Nuo Opera dancer wears a costume decorated with 5-petal plum blossoms symbolizing longevity and a wish for the Five Blessings or Happinesses: prosperity, long life, health, living a virtuous life and dying a natural death.
This very fine and very beautiful vintage woodcarving of Dewi Sri , Devi Sri or Sridevi in Java, the Balinese Hindu goddess of rice and prosperity, is in excellent condition considering it is a much used vintage piece. Personally collected in Bali in the 1970s, it reflects the offerings made to Dewi Sri placed in the rice fields to protect the rice harvest. She is depicted here as a young, attractive and fertile woman wearing a striking, highly detailed and decorative headdress similar to those worn in Balinese dances leaving her upper forehead bare and framing her oval face with high curved eyebrows, wide-open eyes and beautiful pursed lips. With its flat back it can be mounted on a wall.
Burmese heddle-pulleys are decorated with carvings of mythical or auspicious animals to provide protection and assure good quality weaving. A powerful ferocious Burmese Lion with open roaring mouth and thick main sits atop the pulley highlighting the area below where the weaving thread travels around the bobbin between the wood triangle pieces holding it. A fine folk art teak carving in excellent condition mounted on a a black wood base.
Ibeji carvings from Nigeria are idealized folk art conforming to Yoruba artistic and cultural conventions without closely reflecting human likenesses. Symmetrical and restrained with oversized elongated heads where one’s spirit, intelligence and the seat of divine power lie, they often have detailed linear coiffures that can be a third or more of the figure’s body…
This ethnic and folk-art Bali legendary court minister (topeng patih) is performed in a special mask dance named Topeng Panjegan, as only one dancer interprets five different characters wearing full face masks preventing speech. Patih manis (Sweet Minister) is often the first solo dance after a gamelan orchestra introduction, and this patih keras (strong minister)…
Originally mounted on the wood stick between his legs and now inserted to its acrylic stand, this vintage male doll is an attendant offering a huge peach. His large oval head is almost bald and his black hair remains only in a small patches on the sides of his head. He wears a typical colorful folk-art Chinese dance costume: bright red shoes, yellow pants, a greenish-blue coat with florals, a high sequined yellow belt, and a wide blue sash outlined with silver and gold thread and colored 5-petal silver sequin plum blossoms hanging down to the base evoking a wish for the Five Blessings or Happinesses. It is in very good condition with expected wear and minor paint losses and charming spotting on the face.
All ethnic mask (topeng) dances in Bali are accompanied with music from a gamelan percussion orchestra as are dramas and other entertainments considered as offerings to honor, please and attract the favor of the gods and ancestral spirits. In the west dancers put on masks to pretend they are someone else. Balinese dancers become the…
There are two traditional Balinese masks of the king’s prime minister (topeng patih). Both are refined, well-bred warriors from the second caste holding a prestigious position, and, like all dance masks, they are accompanied by a gamelan. This mask is a patih keras (strong minister) which is usually red or orange symbolizing a tough, intense…
Court ministers (patih) in Bali, Indonesia are danced in mask (topeng) performances named Topeng Panjegan where a single dancer interprets 5 legendary characters wearing full face masks, cannot speak and much portray them only through gestures and body language and positions. Patih manis (literally sweet, a good natured, diplomatic minister) is often the first solo…
This is Kebo Taruna mask a powerful historical Balinese minister (patih) from the 14th century. Considered a folk-art, Hindu-cultural-and-ritual-art, ethnic art and offerings to the gods, masks are danced in a historical drama with the music of a percussion orchestra (gamelan). Balinese-masks are carved using a light durable wood called pulai that enhances pigments and…
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