As defined by the International Museum of Folk Art, folk art encompasses a broad range of forms – dance, song, poetry, and foods as well as art. It is handmade; traditional, reflecting shared cultural aesthetics and social issues which may change over time; and is of, by and for the people inclusive of class, status, culture, ethnicity, gender, and religion. It may be for community use or for sale as income or empowerment; learned formally, informally, or self-taught. It can be decorative or utilitarian used for daily, ritual or ceremonial purposes.
Showing 13–24 of 88 results
Japanese cast iron Tetsubin tea kettles have been prized for their health benefits and zen simplicity since they were introduced 400 years ago. This elegant antique kettle has a scalloped top, curved handle and contrasting textures and simple designs on its lid with a lotus shaped knob. This kettle would enhance any kitchen décor and be a wonderful gift for any tea lover.
Antique Chinese puppets were often made in several parts with removable heads. This antique carved head of a beauty has delicately painted features and an animal hair braided down the back. Since there is an area without hair towards the back, she likely originally wore a hat or headdress. A hole on top probably accommodated strings.
Each African group made its own manillas and were mostly horseshoe or C-shaped. Ranging from thin delicate shapes to heavy massive pieces, they were embellished with deeply carved designs, stamped or incised geometric forms and other motifs. This delicate Fulani bracelet has cut parallel ridges over most of its surface eliciting the effects of twisted metal pieces. The top is centered with a unique extended flat topped boss/knob.
Each African region fabricated its own variety of manillas that were typically horseshoe or C-shaped. This large beautiful antique manilla has a rounded smooth surface with fine etched linear design, circles, swirls, stipples, and V-shapes. In excellent condition with a fine aged patina it comes with a wood and metal stand.
The Fulani people favored many kinds of body ornaments, among the most traditional being bracelets and anklets in a horseshoe shape with flared decorative ends. This finely-crafted, heavy and massive antique U-shaped example was elaborately designed with intertwined twisted strands and 11 faceted ends incised with circle and diamond designs.
Statues like this Guanyin in the Mahayana Pure Land Buddhist tradition were especially popular during the Ming and Qing dynasties. This carving epitomizes the best of folk art spiritual traditions of provincial artisans who replaced imperial constructs with provincial depictions that combined Buddhist, Taoist and Popular Religion traditions. Humble, charming and approachable portrayals of Guanyin like this were placed in homes and temples in provincial areas.
This elegant heddle-pulley carved from a single piece of Burmese teak is topped by a hamsa, a sacred Buddhist symbol of wisdom mentioned in the Jakata tales about the life of the Buddha. It is believed that auspicious symbolic animal images protected the weaver, assured quality weaving, and pleased the gods and spirits. This antique piece is wonderfully weathered from time and use.
This graceful brass oil lamp is topped by two peacocks, a large one that held oil and a smaller one decorated with striated lines. sitting high on a thin mount with a spiral base. It was used for Hindu prayer rituals (puja) in the home or at temples and for devotional worship. This fine lost wax lamp with a soft patina is a one-of-a-kind piece. Often used in Hindu religious sculptures, peacocks have a strong religious tradition and represent harmony, joy and beauty and the time cycle.
This Kitchen God and his wife are mirror-images, originally placed above the stove to monitor and bring good luck to the household. Finely carved, they wearing simplified officials robes and symbolically hold a tablet. Their bright colors have faded naturally into a smooth warm patina which adds comfort and positive feng sui to any kitchen decor and are unique wedding gifts.
This pair is VA’s most unique and finely crafted Kitchen God couple. Wearing beautifully carved robes, clasping Hu tablets, they have approachable features and subtly smiling lips. The painted character on the base is a wish for “happiness.” These exceptional consecrated pieces are in excellent condition with a fine patina.
Finely detailed and carved from dense wood, this Kitchen God and his Wife monitor the members of the home from their perch above the stove. Near mirror images of each other they wear layered gold officials’ robes with decorative sashes and symbolically hold a hu tablet. They are in excellent condition with most of the original pigmentation and gilt and make unique wedding gifts..
This antique manilla is made by the Kota in the northeastern region of Gabon and Congo. A thin widecircular bracelet with an elaborate five-section design, each section has unique designs with long striations, grooved crosshatches, long triangles and angled designs. In very good condition with minor losses, pitting and scratches, its rough surface inside is consistent with its age and use and comes with a wood and metal stand.
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