A ceramic glaze applied to various kinds of ceramics fulfills different purposes. Its application and subsequent firing fuses it directly to the original biscuit clay surface of the object with or without paint resulting in an impervious waterproof outside coating and a glass-like vitreous layer as high heat in a kiln fuses the glaze to the object. The glaze also can color, decorate and seal the formerly porous biscuit surface that was prone to leakage. Some glazes may be colored and others clear depending on the effects and colors desired in the final piece, and clear glazes may be applied over painted surfaces to permanently seal them to the object. Distinct apple green glazes were popular in the late Qing dynasty.
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Used for rituals and ceremonies, lead green glazed earthenware wing cups were popular burial objects. The tomb’s humidity caused the lead to oxidize to a lustrous, prized iridescent, silver-green.
This charming miniature ewer or small pitcher was made during the Tongzhi Period and probably used in a restaurant or home kitchen as a dispenser for soy sauce, oils or other liquids. With an elegantly curved spout and handle it is covered with chrysanthemums, plantain curved vertical leaves and bindweed vines. The lid has a lotus shaped bud for lifting, and the bottom has a Chinese antique export seal.
This five-sided Shiwan stoneware pillow with slanted top, open bottom, vibrant glazed surface, and etched coin and diamond design was used for smoking opium as the cool shell cradled the users’ heads and necks and offset the warmth of smoking and the hollow inside stored valuables. We have another which can be paired with it. If a candle is placed inside it emits an amazing shadowy form of a coin, which appealed to those in an opium state.
This elegantly shaped and beautiful high-fired antique porcelain ewer was decorated on its outside with a saffron-colored glaze called a coral red glaze. The sides have a white glazed quatrefoil panel with hand-painted multi-colored floral designs on a white background within a gold frame interspersed among sinuous gold leaf vines across the body and neck and a white glaze covers the inside and bottom. Its beauty is enhanced with its graceful spout, colorful white and gold panel beautiful.
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