A ceramic glaze applied to various kinds of ceramics fulfills different purposes. Its application and subsequent firing fuses it directly to the original biscuit clay surface of the object with or without paint resulting in an impervious waterproof outside coating and a glass-like vitreous layer as high heat in a kiln fuses the glaze to the object. The glaze also can color, decorate and seal the formerly porous biscuit surface that was prone to leakage. Some glazes may be colored and others clear depending on the effects and colors desired in the final piece, and clear glazes may be applied over painted surfaces to permanently seal them to the object. Distinct apple green glazes were popular in the late Qing dynasty.
Showing all 12 results
Wing or ear cups (yushang), a term that describes its side flange-like additions to its ovoid body, appeared as early as the Zhou dynasty (1046-256 BCE) made in lacquer and later from a variety of materials. Lacquerware cups were used as dining vessels used for rituals and ceremonies contain fragrances, food or wine; and the…
Hu vessels, first made in the Shang Dynasty is an ancient-pottery wine vessel whose body swells in the middle, flares into a narrow neck and often has a raised circular foot. Very popular during the Han dynasty, it was used as an ancestral tomb burial object (mingqi) to hold liquids and elixirs for the deceased…
Mingqi are ancient earthenware pottery items usually made using a bivalve mould and covered with a lead glaze that fired to a dark green. The lead in the glaze often combined with tomb dampness for centuries creating a chemical reaction changing its coloring into a lustrous and iridescent green seen here. Han mingqi were ancestral…
This charming miniature ewer or small pitcher was made during the Tongzhi Period and probably used in a restaurant or home kitchen as a dispenser for soy sauce, oils or other liquids. With an elegantly curved spout and handle it is covered with chrysanthemums, plantain curved vertical leaves and bindweed vines. The lid has a lotus shaped bud for lifting, and the bottom has a Chinese antique export seal.
This delicate antique Yixing teapot is unusually shaped with a loop handle, short spout, flaring rim, small flat cover and small loops below its rim that indicate it may have been used to suspend oil or soy sauce rather than serve tea. Its charm is enhanced by its free hand-painted colored enamels with 6 circular panels containing fanciful and bright floral and leaf decorations. Chinese tea connoisseurs consider Yixing teapots the best vessel for brewing tea as it is naturally porous to absorb oils released during brewing and improves tea’s flavor with continual use. Recommended for display only, it pairs well with 1152A-PAR Enameled Yixing Stoneware Teapot.
The top design on this stoneware garden stool is a simplified open narcissus with a white and yellow center; it is a symbol of good fortune and prosperity. Below are intertwined double lozenges, followed on the lowest register of by white octagonal shapes and ending with a low orange-yellow rectangle pierced in the center. A…
This five-sided Shiwan stoneware pillow with slanted top, open bottom, vibrant glazed surface, and etched coin and diamond design was used for smoking opium as the cool shell cradled the users’ heads and necks and offset the warmth of smoking and the hollow inside stored valuables. We have another which can be paired with it. If a candle is placed inside it emits an amazing shadowy form of a coin, which appealed to those in an opium state.
Ht: 6.25” W: 5.5” D: 3.25” | FREE SHIPPING WITHIN CONTINENTAL U.S.!
This charming antique white glazed porcelain figurine is a cat teapot with a raised paw with removable head for pouring liquid into the vessel and long sinuous tail as a handle to pour liquid from the opening at the end of the paw. The hand painted design is whimsical and colorful with a thin ribbon-like blue collar and a dangling ornamental bow with black accents defining the face, ears, head and paws.
This elegantly shaped and beautiful high-fired antique porcelain ewer was decorated on its outside with a saffron-colored glaze called a coral red glaze. The sides have a white glazed quatrefoil panel with hand-painted multi-colored floral designs on a white background within a gold frame interspersed among sinuous gold leaf vines across the body and neck and a white glaze covers the inside and bottom. Its beauty is enhanced with its graceful spout, colorful white and gold panel beautiful.
This rare 5 piece apple green Shiwan ceramic “garniture set” comprised of two vases, 2 candlestick holders and a large censer was originally placed on a family altar in a central room which was the focal point of an affluent Chinese dwelling. Ritually used to perform ancestral offerings on a daily, semimonthly, and seasonal basis, compete sets in excellent condition are relative rare.
This delicate and vibrant Qing dynasty Shiwan stoneware glazed sculpture represents fresh fruit that symbolizes life and new beginnings would have been placed on a temple or home altar to represent and/or augment plates of stacked fresh fruit. Fresh fruit symbolizes life and new beginnings. These offerings are still made to honor the family’s ancestors, communicate with deities and bring prosperity, good luck and health to the home and would be an auspicious and decorative addition to any home settings where family members past and present are honored.
Most antique Chinese outdoor garden stools were made in a drum or barrel shape using common ceramic designs like decorative fretwork, low relief decoration, simple pierced schemes, a variety of underglaze painted images, and calligraphyand fired in kilns. The upper border of the body of this beautiful stoneware garden stool is covered with four color…
End of content
End of content