The Bodhisattva Guanyin, one of the most beloved deities in the Buddhist tradition, is the embodiment of compassion and loving-kindness who hears the cries of all beings. She has a central place in Buddhist homes of China and Japan where her name is Kannon. In Guanyin Images her face is always gentle, calm and sweet, reflecting infinite wisdom, serenity, love and compassion and has the capacity to calm those who are angry or in despair, comfort those who are sorrowful, and brings forth feelings of love, devotion and contentment. Her almond eyes are shown half-closed which indicates her perfect harmony of outer and inner life: half of her vision focuses on the outer world, while the other half is focuses internally for self-reflection. She is often shown in lalitsana, the position of royal ease symbolizing that as a regal personage, she presides over the material world and its possessions as well as the spiritual world. She often hold a scroll which may represent the dharma which she constantly reads or the Lotus Sutra that focuses on Guanyin as protector of the world in the time between the departure of Buddha Shakyamuni and the appearance of the future Buddha, Maitreya. Buddhist statues of enlightened beings are placed in temples, monasteries or home shrines as a reminder of the spiritual potential inherent within all of us.In the Ming and Qing Dynasties she became a popular Taoist and Popular/Folk Religion cult figure where local artisans created a new genre dressed in humble robes and simple features blending spiritual and folk traditions. Of her 33 manifestations, the most common at that time were Nanhai Guanyin, Songzi Guanyin and White Robed Guanyin. Lee Irvin includes her as one of the Chinese Great Goddesses along with Mazu and the Queen of the West, all strong female deities who help those in distress no matter what their status.
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Chinese artisans devoted as much time and effort to create small accessories like home altar tables as they do with larger pieces. This home altar table is handcrafted with mortise-and-tenon joints, using no nails or glue which made it more stable and longer lasting. The surface blend multiple layers of different colors of blacks and reds…
The close association of the lotus and Guanyin (Sanskrit Padmapani meaning “born of the lotus,”) is depicted in this Guanyin image sitting on a flat, round open yellow lotus padmapitha pedestal held up by a stem flanked by red lotuses facing out in a folk art tradition. As one of the Great Chinese Goddesses (Irvin),…
Of Guanyin’s 33 manifestations, Songzi Guanyin (Bestower of Children or Child-giving) was one of the most favored during the Ming and Qing dynasties when small images were placed on a home altar for veneration by families desirous of having a male child to carry on the family legacy. Songzi Guanyin is a syncretic goddess, embraced…
This small antique carving is Nanhai Guanyin (Guanyin of the Southern Seas) who became a syncretic cult figure during the late Ming and Qing dynasties in rural provincial regions, especially Southern China. She is worshiped in Mahayana Pure Land Buddhism, Taoism and Popular Religion. The local artisan took liberties in the iconography, portrayal and attributes…
As one of the most popular Mahayana Pure Land images, especially during the Ming and Qing dynasties, this antique Chinese wood carving of Nanhai Guanyin of the Southern Seas is seated on a symbolic craggy rock outcrop below an arch of draped moss (some of which is missing ) at the entrance to the Tidal…
This Nanhai Guanyin sits in her cave home on the island of Putuo represented by pierced openwork, craggy surfaces and open area at the cave top. Guanyin’s image almost fills the cave’s opening seated in dhyana (meditation), thumbs forming a triangle symbolizing the triratna, the Three Gems of Buddhism (the Buddha, the Dharma (Buddha’s teachings)…
Nanhai-Guanyin seated in meditation (dhyana mudra) in her Tidal Cave on Putuo is one of the most popular Mahayana Pure Land Guanyin images, especially during the Ming and Qing dynasties, and strongly reflects the Chinese syncretic blending of religious beliefs. Provincial craftsmen portrayed her in to reflect local beliefs, lifestyles and customs that resonated with…
This exceptional carving is form of Nanhai Guanyin which means Guanyin of the Southern Seas, one her most portrayed of her 33 manifestations during the Ming and early Qing dynasties. Her pedestal with hanging foliage and base in the form of stones indicates she is seated on her rocky outcrop on Putuo island in the…
Guanyin means “she who observes the sounds or cries of the world” and in Sanskrit she is named Padmapani or “born of the lotus.” She is one of the Three Great Chinese Goddesses (Irwin). During the Late Ming and Qing Dynasties in rural provincial regions and especially Southern China, Guanyin became a syncretic cult figure…
During the Ming and Qing Dynasties, the cult of Songzi (“Child Giving”) Guanyin, the Buddhist bodhisattva of compassion, became one of the most popular religious movements especially among Popular Religion and Taoist female and male devotees. It reached all Chinese regions and social strata and included the upper classes, court figures and the literati as…
This striking, beautiful and sensitive carving is White Hooded (also White Clad or White Robed) one of the most frequent portrayed of her 33 manifestations. Introduced in 10th century Song Dynasty this manifestation portrays her as a humble and modest deity reflecting the features of an ordinary Chinese female, her face cast down in serenity…
This extremely unique and charming White Robed Guanyin sits on a Hǒu (Hou), the mythical master of the universe, intermediary between heaven and humans, the symbol of righteousness and morality and the mandate to usher in peace and prosperity. The Hǒu here resembles a Buddhist lion with its open roaring mouth emphasizing the power of Guanyin…
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