Naturally formed lacquer is the resin-like clear sap from lacquer trees that dries to form a hard protective coating to varnish wood or other materials. In Asian art lacquerware refers to a range of decorative techniques used to coat wood, bamboo, metal or other surfaces with a hard resinous finish. Originating in Neolithic times, lacquering originally was used as a waterproof protection that over time evolved into a highly prized method of decorating fine objects. Skillful artisans use a long and labor-intensive process involving hand applied application of multiple layers of lacquer to the core object. China, Japan, Korea, Vietnam, Burma, Thailand and India have been sources of prized decorative containers, vessels, tableware, precious items and ritual objects and larger items such as furniture.
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Guandi lived during the latter part of the Han Dynasty and is the best known and most revered Chinese military historical hero. He was canonized in 1504 as Guan Di, the Taoist God of War and China’s Protector. According to Keith Stevens, he is “all things to all men, not only prayed to for protection…
This exceptionally crafted and beautiful footed confection mould was most probably a marriage gift from a wealthy family to the newlyweds as seen its symbolisms. It is elaborated and ornately decorated in vibrant reds and gilt with auspicious symbols for fidelity, fertility and happiness with lotuses and pods filled with seeds, bats, paired fish and intertwined vines representing a life pair, having sons, and other marriage wishes.
This antique carving of a wood food offering with a lacquer coating was an auspicious ornament for a Chinese bed to bring the lucky couple prosperity, health and a happy life. The pomegranate on top is a fertility and the four peaches below are longevity symbols. The combination of the fruits is a wish for many sons and longevity and is perfect gift for newlyweds.
This ancestor figure, carved in boxwood the preferred wood softwood during the Qing Dynasty, is portrayed in the characteristic pose of a Chinese civilian official, grasping his official’s belt with his right hand to demonstrate his important stature – which was really not so important for this gentleman, given his humble seating furniture and his modest attire. His right hand rests on the his knee as he sits erect on a thick low-back pedestal. Unlike many officials who are serious, this one is more approachable, with simple deeply carved smiling features, high arching brows and a black painted mustache and beard.
Given the auspicious images on this finely crafted red and gilt jewelry box, it was probably a wedding gift for a fortunate couple as a wish for fertility, harmony and many and sons. The doors have a carved lotus symbolizing beauty and purity and the top has 5 bats surrounding a longevity roundel. When depicted on a box, it means as “May you have a harmonious marriage with the Five Blessings” (longevity, health, wealth, virtue and a peaceful death) and signifies completeness, togetherness and harmony.
The low profile and fine lacquered finish of this charming antique wood chest add warmth and a touch of antique fine craftsmanship to any setting. The two intricately carved drawers for storage lend it to a multitude of uses. Carved auspicious symbols to bring the Five Blessings or Happinesses include peonies and vines, butterflies, plum blossom and a Japanese lily. The sides have inset panel with florals and the bottom has a decorative apron with a beautiful fretwork vine design. Its warm patina extends to the detailed brass butterfly handles.
This excellently carved civilian official with gilt highlights was commissioned by a family to place on a home altar for veneration and to impress those who viewed it. The imposing ancestor figure grasps his belt of office to show his pride in passing examinations to become a civil official, which leads to a life of rank and prosperity for him and his family. Statues like this are an affirmation of persistence, success, status and power and they honor those who display these characteristics.
This exceptional naga was one of two that comprised a gong stand. Gongs were used in Burma for both ceremonial and musical purposes in religious, state, or secular settings. A protection figure, this naga is a superb carving elaborately decorated with gold lacquer and pigmentation. He opens his mouth wide bearing mother-of-pearl teeth and a curled blood red mouth and tongue to drive away malevolent spirits, also reinforced by the large glaring eyes circled in red. On first glance it is menacing, but its history as a protector of Buddha Shakyamuni make it prized as a fanciful, gleeful guardian. His scales are arched relief designs of mixed lacquer and ash and they are highlighted with inset cut mirrors and green sequin-like glass “jewels.” It is mounted on a museum quality stand and is in excellent condition for its age and use despite missing an ear.
This finely detailed hardwood mold was used to make sweetmeats confections, perhaps mooncakes for the Chinese Autumn Moon Festival. It is covered with deeply carved propitious symbols for marital harmony, sons and successful endeavors: a four clawed dragon for fertility, two ducks symbolizing marital bliss and harmony, one atop a carp for conjugal bliss and achieving noble rank and a boat with a sail for making all this easy sailing. This would be a great accessory or gift (especially for weddings) to spice up any kitchen.
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