Naturally formed lacquer is the resin-like clear sap from lacquer trees that dries to form a hard protective coating to varnish wood or other materials. In Asian art lacquerware refers to a range of decorative techniques used to coat wood, bamboo, metal or other surfaces with a hard resinous finish. Originating in Neolithic times, lacquering originally was used as a waterproof protection that over time evolved into a highly prized method of decorating fine objects. Skillful artisans use a long and labor-intensive process involving hand applied application of multiple layers of lacquer to the core object. China, Japan, Korea, Vietnam, Burma, Thailand and India have been sources of prized decorative containers, vessels, tableware, precious items and ritual objects and larger items such as furniture.
Showing all 9 results
Guandi lived during the latter part of the Han Dynasty and is the best known and most revered Chinese military historical hero. He was canonized in 1504 as Guan Di, the Taoist God of War and China’s Protector. According to Keith Stevens, he is “all things to all men, not only prayed to for protection…
This lacquered confection-mold was likely made in Fujian province where small vernacular furniture, decorative accessories and functional utilitarian items were made for the new wealthy merchant class of nouveau riche dissociating themselves from the imperial court about 1850-1920. Qing furniture and accessories were more flamboyant than Ming ones and often decorated with gold leaf, ornate pierced…
Representations of wood food offerings with a lacquer coating are often part of the array of images spread on a temple or home altar and shrines and are substitutes or additions to what is ordinarily fresh fruit and food. This one was an auspicious ornament for a Chinese bed. Very auspicious, food offerings are to communicate…
Honoring one’s ancestors through pictorial and sculptural images, especially a wood carving reflected the Confucian virtue of filial piety, although carved ancestral images were favored as the vehicle for a more intimate and continual communication. Ancestor figures were placed on a home altar for family members to venerate with daily offerings of joss (incense), fruit…
The well-crafted lacquer covered jewelry box is a fine Chinese vernacular furniture and accessories example from the late Qing Dynasty in the th – 19th century for China’s emerging merchant class who rejected strict formal Ming design. This newly emerged style was made from softer woods such as elm, often brightly colored in red lacquer…
This charming antique low elmwood cabinet has two wide intricately carved storage drawers. for storage and was probably made from elmwood. Late Qing Dynasty artisans devoted as much effort creating small treasures like this as they invested in larger pieces. Handcrafted with mortise and tenon joints, these items were made without nails or glue making them more…
Officials are often portrayed in Chinese woodcarvings in a stable seated position with feet placed and firmly planted on a plinth. This compact Qing portrayal presents a person of importance and control, and it is reinforced here with an intense expression and closed eyes making him a bit detached to fortify his status, rank and…
Nagas are powerful folk art serpents similar to dragons who live in the underworld or in waters, move through the earth as if it were water or fly through the heavens. Often described as a half-serpent, half-human, these semi-divine mythical animals have a past in animism and were object of rituals, worship and devotion as a…
This antique hard wood mold was hung it in a kitchen, the center of activity of the Chinese home. Virtually all homes had a confection-mold to prepare sweetmeats made by placing pastry dough with various fillings in the mold and turning it over on a sheet to be baked. Many were used to make mooncakes…
End of content
End of content