Dating from the 3rd millennium BCE, lost wax also called cire-perdue is a method of casting metal in which molten metal is poured into a wax model. After the mold is made the wax model is melted and drained away, making each object produced a one-of-a-kind item. Used in every continent but Australia, it is still used in many cultures today with few changes. Dhorka metal smiths are famous for the lost wax techniques which date bask 4500 years to the Indus valley civilization.
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Nandi is among the most frequent Hindu deities worshiped in public places, temples, homes, or on a home altar throughout India. As one of Hinduism’s mythical animals, Nandi is Shiva’s vahana, (his mount that transports him), attendant and leader of his attendants and guardian of all four-footed animals. A recumbent image of Nandi on a…
Antique brass Nandi exquisitely crafted with a wonderfully aged patina from use on a home altar. On a raised rectangular platform his delicate incised decorative details delineate features of his sinuous body and graceful long horns extending backwards. Based on a South Indian cow with a humpback.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metalsmiths from Eastern India using the same lost wax casting process for millennia. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece is a typical grain measure and has a handle for hanging and decorated with horizontal striations across the top and bordered by downward striated triangles with a smooth patina from age and use. This bowl were regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
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This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
A kumkum container, also known as a sindor box is a small decorative holder for kumkum powder, a red or orange-red powder traditionally used in Hindu rituals and ceremonies. This container is brass with a foot with lotus leaves on the sides and floral patterns on the bottom and a decorative rim on the cup. These boxes are part of daily prayers (puja), festivals, weddings, and other auspicious occasions. The powder is used to apply a bindi – a forehead dot decoration associated with the third eye, representing wisdom and insight. While traditionally worn by women, and often signifying marriage, bindis are increasingly worn by men as well.
Antique bronze kumkum container use to hold tika power applied to women’s forehead during puja to preserve spiritual energy. andhold is as part of Hindu puja used for Hindu social and religious markings. Kumkum is dried and made into a paste combined with small amounts of slaked lime sometimes embellished with a few grains of rice that turns the turmeric reddish and is used to apply a tikka – a small dot applied on the forehead between the eyebrows. This spot is said to be the focal point of wisdom and concentration and is where the spiritual third eye is centered. Hindu’s believe this is the sixth of the body’s seven chakras or energy vortexes where an energy channel opens humans up to the spiritual and the divine. The tikka is said to prevent energy loss, preserve spiritual energy, and enhance concentration. Hindu religious gatherings and puja begin with the application of a tikka. Women from certain Hindu sects wear a tikka as a sign they are married,
Finely modeled vintage Mandalay style Burmese bronze Buddha in Earth Witnessing mudra made by lost wax process is a one-of-a-kind exquisite work of art. Soft youthfully sweet smiling face with almond-shaped eyes are inlaid with glass.
Ethiopian Fleury cross with arms ending in 3 pointed lobes representing the Trinity. Coin silver lost wax body centered with a square and embellished with small granulates for a vibrant textured surface.
Large heavy pendant cross combining Egyptian round ankh surmounted on Cross Pattée softened by smooth surface and simple elegance.
From the Shoa region, this simple but elegant Ethiopian Cross Pattée with flaring arms was made using the lost-wax process and embellished with 6 round protruding bosses and etched dots.
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