Nats are an integral part of Burmese culture, and carvings of these mythical beings were placed in Buddhist temples, pagodas, home shrines, other spiritual structures, and in everyday non-religious and functional-and-utilitarian contexts such as ox-cart ornaments. Nats took various forms including nature spirits of trees, rocks, and rivers, mythological figures, or humans who died unnatural deaths, and worship of them is focused on keeping them out of trouble by propitiating and rewarding them with offerings, as they provide favors only as long as they are rewarded. Burmese nat worship originated in prehistoric times when it was associated with agricultural endeavors and focused on land, sky, and water spirits. Most Burmese villages had a shrine (nat sin) for the nat guarding the village, including forest and mountain guardians and those who protect homes, inhabitants, and agricultural pursuits.
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This fanciful teak carving is a Nat placed atop a large shield wearing a sarong and eyes with inset mother of pearl. Although of shamanistic origins, they are still in Buddhist temples, pagodas, government buildings, and in nat centers throughout Burma.
This exquisite teak carving of a Mandalay Burmese male dancer wearing a sarong is in a fluid twisted pose emphasizing his strength, balance and grace with his raised hand is in a position similar to a Buddhist mudra. His humble status is reflected his head scarf and a bejeweled sarong with insert glass that reflect light and add movement and depth. His joyful beautiful face stares with open eyes and slightly parted lips It is simply a gorgeous work mounted on a contemporary frosted stand to complement any setting.
Traditional Burmese dance has its roots in folk religion and is a combination of ancient animism, nat worship and a later syncretic blend with Buddhism. Ethnic minorities often perform dances that include warriors , Zawgyi (shaman) and nats wielding swords or holding drums while dressed in full-body costumes. Burmese performances were regulated with limitations on…
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