Making offerings to deceased family members to show devotion and honor them or to revere gods, sprits or holy beings is part of most Asian religious traditions. In Theravada Buddhism, Burmese families bring food offerings to temples and monasteries in vessels called hsun oks to feed monks, make merit and enhance their karma and in Thailand flowers, incense and candles are common offerings made to Buddhist monks, Buddha images and people of higher rank to show respect.
In Mahayana Buddhism and Taoism, offerings are a way to communicate with and venerate gods and ancestors in temples or home altars, bring reciprocal blessings to the bearers and strengthen family ties. This may include offerings of fruit, vegetables, sweets, tea and flowers. Offerings may be represented in many ways: physically or symbolically on home and temple altars; as a single or pair of attendant statues holding offerings or as auspicious and symbolic images or decorative motifs placed on furniture, architecture, carved images, vessels, textiles or woodblock prints. For instance, a 3-item offering of dumplings on a plate is a pictorial pun for gold or silver coins symbolizing wealth and, also, a wish to pass the 3 civil levels of examinations guaranteeing a comfortable life as a civilian official. Offerings are made to the Kitchen God during the New Year to usher in health and prosperity. Traditionally, women made the offerings and men presented them on home altars or shrines to fulfill their family’s wishes.
Prasada is the word for food and water offered to deities during a daily puja ceremony in Hinduism. Five types of offerings – pushpa (flowers), dhupa (incense), deepa (light), naivedya (food) and gandha (sandalwood paste) – are made to symbolize the five elements – space, air, fire, water and earth. Offerings of fruit and flowers are also made at Hindu temples.
In Bali, trained dancers are considered messengers and direct communicators with the gods and make offerings before their performances for blessings and for acceptance of their offerings. Both the mask and dance are considered as having great power and are considered a symbolic spiritual offering to the gods.
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The Mid Autumn Moon Festival, also called the Mooncake Festival, is the 2nd most important holiday after the Chinese New Year, celebrated when the full moon is at its brightest point on the 15th day of the 8th month of the lunar calendar. It is a time for multi-generational gatherings when families dine together in harmony,…
This rare vintage carving was probably made for a home shrine or small rice field temple dedicated to Dewi Sri, the Balinese Goddess of Rice. The hole near the bottom indicates it may have been part of a larger decorative scheme.
The culture, rituals, tribal and ethnic art of the Dayak (Dyak) of Kalimantan (Borneo), Indonesia is a mix of shamanism, animism and ancestor worship. Dyak festival masks worn on the face or large ones attached to a costume repel malicious spirits from entering communal spaces, insure village safety, protect babies in their carriers and defend…
The religion of the ethnic Dayak (Dyak) people of Kalimantan (Borneo), Indonesia is a mix of animism, shamanism and ancestor worship. Their word hudoq describes three different things: it describes the pests that can destroy the rice harvest on which their survival depends; the name of the huge yearly Dyak planting celebration and the name…
This very fine and very beautiful vintage woodcarving of Dewi Sri , Devi Sri or Sridevi in Java, the Balinese Hindu goddess of rice and prosperity, is in excellent condition considering it is a much used vintage piece. Personally collected in Bali in the 1970s, it reflects the offerings made to Dewi Sri placed in the rice fields to protect the rice harvest. She is depicted here as a young, attractive and fertile woman wearing a striking, highly detailed and decorative headdress similar to those worn in Balinese dances leaving her upper forehead bare and framing her oval face with high curved eyebrows, wide-open eyes and beautiful pursed lips. With its flat back it can be mounted on a wall.
Made in Pagan this miniature hsun ok demonstrates the remarkable sense of design of Burmese wood carvers. It is crafted in two separate parts and replicates the shape of larger hsun-Ok, which traditionally have covers with spired lids topped by elegant finials that imitate the soaring outline of Burmese stupa finials. This modest piece has circular tiers repeated on the foot and the stupa finial top.
This Chinese Republic Period delicate porcelain figurine holds a rose at her heart in her right snow white hand, her left arm covered by her shawl resting on a waist-high decorative vase with an opening to hold incense (joss) sticks. Her shawl drapes over her shoulders and lower garment with floral motifs extending to the beaded belt at her waist. The sweet facial expression with slightly smiling bowed lips is framed by her piled hair looped in a chignon over each ear. Given her luxurious garments and accessories, she is an aristocratic woman. The rose was often used on porcelains during this period, representing eternal spring.
Rare Timor ancestral mask, large roughly cut eyes, menacing teeth. Used in animist ritual offerings for the departed to have a resting place during village visits and also repel evil malevolent spirits.
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