Making offerings to deceased family members to show devotion and honor them or to revere gods, sprits or holy beings is part of most Asian religious traditions. In Theravada Buddhism, Burmese families bring food offerings to temples and monasteries in vessels called hsun oks to feed monks, make merit and enhance their karma and in Thailand flowers, incense and candles are common offerings made to Buddhist monks, Buddha images and people of higher rank to show respect.
In Mahayana Buddhism and Taoism, offerings are a way to communicate with and venerate gods and ancestors in temples or home altars, bring reciprocal blessings to the bearers and strengthen family ties. This may include offerings of fruit, vegetables, sweets, tea and flowers. Offerings may be represented in many ways: physically or symbolically on home and temple altars; as a single or pair of attendant statues holding offerings or as auspicious and symbolic images or decorative motifs placed on furniture, architecture, carved images, vessels, textiles or woodblock prints. For instance, a 3-item offering of dumplings on a plate is a pictorial pun for gold or silver coins symbolizing wealth and, also, a wish to pass the 3 civil levels of examinations guaranteeing a comfortable life as a civilian official. Offerings are made to the Kitchen God during the New Year to usher in health and prosperity. Traditionally, women made the offerings and men presented them on home altars or shrines to fulfill their family’s wishes.
Prasada is the word for food and water offered to deities during a daily puja ceremony in Hinduism. Five types of offerings – pushpa (flowers), dhupa (incense), deepa (light), naivedya (food) and gandha (sandalwood paste) – are made to symbolize the five elements – space, air, fire, water and earth. Offerings of fruit and flowers are also made at Hindu temples.
In Bali, trained dancers are considered messengers and direct communicators with the gods and make offerings before their performances for blessings and for acceptance of their offerings. Both the mask and dance are considered as having great power and are considered a symbolic spiritual offering to the gods.
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Shiwan stoneware fruit offerings were placed on the altar during the Ming to substitute for or augment fresh offerings. The three peaches and lotuses on a footed bowl are auspicious Chinese symbols associated with springtime, fertility and a long healthy life for many generations.
This delicate and vibrant Qing dynasty Shiwan stoneware glazed sculpture represents fresh fruit that symbolizes life and new beginnings would have been placed on a temple or home altar to represent and/or augment plates of stacked fresh fruit. Fresh fruit symbolizes life and new beginnings. These offerings are still made to honor the family’s ancestors, communicate with deities and bring prosperity, good luck and health to the home and would be an auspicious and decorative addition to any home settings where family members past and present are honored.
Artfully shaped hsun ok pieces to hold offerings to monks and make merit reveal much about Burmese artisans: exceptional lacquer ware skills, support for monks and devotion to Buddhism. This large elegant Hsun Ok has a flaring pedestal, lid with a finial symbolizing a Buddhist stupa and applied mythical animals and floral decorations. Early 20th century pieces with these special details are harder to find and copies abound.
This elegant hsun-ok reveals much about the Burmese: their profound belief in Buddhism and commitment to support the monastic life, remarkable woodworking and lacquerware skills and sense of simplistic elegant design and form. This has a simple yet striking silhouette with raised circular layers on a pedestal base and woven vertical bands topped by a tall round finial recalling a Buddhist pagoda or stupa. This graceful piece is a perfect accent for any décor.
In Bali, Indonesia, Hindu villages have a sacred collection of woodcarvings in the form of Balinese masks (topeng) danced as offerings to the gods with a gamelan percussion orchestra. Balinese dance masks are endowed with magic (tenget) ), especially. the 2 central to Balinese mythology, culture and their past of animism: Rangda and Barong. Barong…
Antique silver spoons like this were used to offered water to the gods to show respect. Water is used by Hindus to cleanse and purify one’s body, mind and spirit. The lotus design is a symbolic connection to Lakshmi, the Hindu Goddess of wealth and prosperity.
Balinese carvings and masks are ethnic folk art and a blend of Hinduism and its initial animism. Most masks made in Bali are from pulai wood that rarely cracks and is easier to carve. As it is not native to Lombok, carvers there use a variety of woods some of which were dense with others light….
This antique coconut grater is a very practical multi-use creation designed to cut, grate, shave, husk, and shred coconuts and large fruits and vegetables. Some were carved as crouching rabbits and others like this were realistic renderings of small mammals. Its decorative appeal includes lovely 6-petal flowers above its four legs and elegantly curved and metal piece extending ” W:from its mouth. With its warm and rustic feel, it would be a unique decorative addition to any kitchen and an interesting conversational piece.
The Mid Autumn Moon Festival, also called the Mooncake Festival, is the 2nd most important holiday after the Chinese New Year, celebrated when the full moon is at its brightest point on the 15th day of the 8th month of the lunar calendar. It is a time for multi-generational gatherings when families dine together in harmony,…
This rare, vintage spirit mask is from Timor in Indonesia. Their animism is characterized by ritual exchanges between individuals or social groups with ancestral and fertility spirits having a close reciprocal link between the deceased and the secular world as ancestors require sustenance, respect and attention (i.e. offerings), while humans seek advice, good fortune, health…
This rare vintage carving was probably made for a home shrine or small rice field temple dedicated to Dewi Sri, the Balinese Goddess of Rice. The hole near the bottom indicates it may have been part of a larger decorative scheme.
This Dalem is a traditional folk-art and ethnic mask (topeng) from Bali made from pulai wood of a Hindu king (Dalem). He stares directly at the viewer while his high cheeks help express his poise and the ability to remain cool in a crisis. This is a fine example of a gifted carver able to…
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