The Chinese phoenix (凤 凰 Fenghuang) is the “king of birds” with fabulous colors and the head of a pheasant, crown of a duck, beak of a swallow, back of a tortoise and tail of a fish. According to the 4th century BCE Chinese Classic of Mountains and Seas, its head represents virtue, back propriety, wing duty, chest mercy, and abdomen credibility. Said to have been born facing the sun’s rays, the mythical bird symbolizes the sun’s warmth, embraces the yang(male) principles of light and heat and promotes creation of male progeny. It brings affluence and only appears during periods of prosperity, peace and good government. Phoenix images decorated ceremonial costumes and were used in the Empress of China’s headwear and the ceremonial headdresses of the Queen Mother of the West and Matsu. As one of the four divine animals that presides over the southern quadrant it was a popular motif in Chinese Straits furniture and accessories with special meaning for Chinese residents in Southeast Asia. A pair with wings out or flying balance each other, represent harmony between a husband and wife and is a wish for a harmonious marriage with many sons. When the “king of birds” is paired with peonies (the “king of flowers”) they symbolize harmony, blessings, rank, good fortune and prosperity. A dragon and phoenix together symbolize a happy and harmonious union a popular decorative motif, especially in bedrooms. In feng shui, the phoenix symbolizes luck and is said to bring auspicious chi both to one’s life and home.
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Finely carved from dense wood Mazu is the Heavenly Empress on a horseshoe chair, holding official’s girdle, phoenix hat with outstretched wings and cloud collar symbolizing her place in heaven.
Exquisite carved Queen Mother of the West, elaborate phoenix in crown. Most significant Taoist female deity, patron of women, divine teacher, determines length of people’s lives, associated with virtue and peaches of immortality.
Charming consecrated image of female Toast priest with Phoenix headdress holding a hu tablet. Women were welcomed as priests since Taoism beginnings.
Temples for “Heavenly Empress” Mazu in southern China coastal regions protect sea faring peoples. This motherly home altar statue reflects that although childless, she protects her children – her devotees – as a mother. Seated on lucite base.
Extremely ornate black lacquer cabinet with intricately carved doors, and gilded openwork panels with opening to red lacquer, gilt fringe interior with backdrop with Chinese scenes. Display of status and piety, designed as dignified display for honoring ancestral spirits.
Intricately carved black and heavily gilt cabinet is a fine example of a Straits Chinese furniture Carved openwork panels with phoenixes and lotuses are symbolic wishes for harmony, blessings, rank, good fortune; outstretched wings wish for harmonious marriage, many sons and the inside decoration a wish for status and successful career. Although somewhat flamboyant, it is a unique accent piece and great gift for newly weds.
Rare depiction of Queen Mother of the West puppet head wearing elaborate headdress with outstretched tortoise legs atop a phoenix, reflecting early shamanism rites of turtle shell divination. Mounted on acrylic base.
Antique Xiwangmu puppet head with 3 phoenixes in crown, traditional Qing head ware worn by the Empress for official occasions, ceremonies. Acrylic stand.
This Queen Mother of the West, the highest ranking female Taoist deity was probably displayed as a pair along a statue of Guanyin, the most significant Buddhism female (Guanyin on a Lotus Pedestal (16206B) highlighting the importance and similarity of these revered female images Like the Guanyin, the Queen Mother’s delicately carved face has half closed eyes, serene composure mouth with a hint of a smile, which is more Buddhist than Taoist. Her headdress, centered by her iconic phoenix, rests under a hood extending to her shoulders and back. She wears a high collared three-layered Taoist robe, her hands covered by a ritual cloth.
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