淨土宗 The central idea of Pure Land Buddhism, the largest Chinese Mahayana Buddhism sect, is anyone chanting the name of Amitabha Buddha with total concentration and devotion may be reborn in Amitabha’s Western Paradise (Sukhavati), known as the Pure Land and will remain in that beautiful land free from pain and want studying the Dharma with Amitabha until they are ready for final enlightenment. Some believe those ready for the path to enlightenment arrive in the Pure Land on an open lotus; those requiring additional effort are brought to the Pure Land inside a closed lotus and returned to earth to further purify themselves by following Buddhist principles.
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Guanyin sits on an elaborate lotus throne held by 8 long stemmed and 1 flat leaf lotus as an enlightened being. 5-lobed crown reflects her stature as Buddhist royalty.
Delicately detailed and consecrated Guanyin in meditation on a backless throne, flowing braids, simple necklace, 3-part crown centered with Amitabha Buddha on lotus throne surrounded by a radiating aureole. Compassionate downcast eyes, serene contemplative expression, calm smile to enhance any surrounding.
In the Pure Land Buddhist tradition this vibrant provincial Guanyin wears a high crown centered with Amitabha Buddha. Far from imperial influences, this charming carving is a unique eclectic folk art blend of Buddhism, Taoism and Popular Religion. traditions.
Provincial Nanhai Guanyin palms at heart in anjali mudra, a mudra of offering rarely used for Nanhai Guanyin. On lotus throne at Tidal Cave on Putuo under a craggy rock outcrop with pierced openwork.
Rare provincial white hooded Nanhai Guanyin in Cave below openwork draped moss and barbed rocks holding precious scrolls, with vial and parrot. Open lotuses symbolize her purity and enlightenment, closed lotuses potential for enlightenment of others.
Elegant Guanyin in meditation, gilt covered with five-lobed crown. Sacred vial on her right and parrot on left. Guanyins statues with symbols in this condition are rare and impart a feeling of serenity to the environment around them.
Nanhai Guanyin in her Cave in lalitsana, below draped moss arch holding a scrolls, next to vial of humanity’s tears and parrot, her constant companion. Small Nanhai images with these symbols are very rare.
Wonderfully carved Nanhai Guanyin with ornate and beautiful diadem centered by elaborately framed Buddha Amitabha in meditation. Vibrant aura radiates spirituality, opulence, serenity and strength, as well as compassion and grace, making this a truly masterful piece of art.
Consecrated red lacquer and gilt home altar provincial Guanyin, elaborate 5-lobed crown centered with radiating bars symbolizing Amitabha Buddha and his aureole that represent the flames of Buddhism.
Rare provincial home altar consecrated gender neutral Guanyin is in meditation on lotus throne wearing five-lobed crown symbolically representing the 5 Dyhani Buddhas in the Vajrayana Tantric tradition.
This rare Ming Amitabha carving is depicted a noble, compassionated standing figure with hands in welcoming mudra as he receives devotees into his Western Paradise encouraging viewers to contemplate pursue their aspirations for rebirth there.
This Guanyin image was probably one of a pair of images along with the Taoist Queen Mother of the West (16206A-WACK) placed together on a community, local temple or home altar. Created by the same local artisan, they are provincial rather than imperial style having a humble, unadorned and simple rendering, seated on backless thrones, hands covered by a ritual cloth, uncharacteristic of Guanyin but common for Taoist goddesses. Both wear layered robes and a high pointed crown – the Queen Mother’s centered by a phoenix and Guanyin’s by a flower surrounded by symbolic aureole of radiating light. Both have soft blissful smiles with eyes cast slightly downwards to engage their devotees. Initially covered in bright polychrome colors, there are traces of surviving red, yellow, green, brown and black.
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